[Cover for DC Fallen Angel TPB 2]All right! DC has announced that they will be releasing a second collection of Peter David and David Lopez’ Fallen Angel!

The creator-owned series lasted for 20 issues at DC before low sales finally did it in. After the cancellation, IDW approached Peter David and offered the series a new home at their company. With new artist J.K. Woodward, it’s gone on to sell quite well at IDW.

Previously, DC had only reprinted issues #1-6 in TPB form as Fallen Angel vol.1. Interestingly, they re-issued it last month to coincide with the first collection from IDW, Fallen Angel: To Serve in Heaven.

Presumably one or both books sold well enough that DC has decided it’s worth reprinting the rest of the series. According to DC’s website, volume two will go on sale in January, and will collect issues #7-12. That includes the 5-part “Down to Earth,” introducing Black Mariah, and the flashback of Lee and Juris’ first meeting in New Orleans.

I wasn’t going to post anything about the five-year anniversary of 9/11 because I didn’t feel like I could add anything that hasn’t already been said. But a discussion at Comics Should Be Good reminded me of a mailing list post I made five years ago, on September 17, 2001, on the subject of terrorism in comics. After rereading it, I’ve decided it’s worth reposting: Continue reading

Went to the Los Angeles Comic Book and Science Fiction Convention on Sunday. I’d only been to one before, last June, and it was pretty pathetic. The dealer’s room was sparse, and hardly anyone was in attendance. Or maybe they were all in the movie (IIRC it was a Wonder Woman fan film). All this seen through the context of my search for affordable copies of 1940s-era Flash Comics led to me spending a grand total of an hour there before leaving.

In fact, I wouldn’t have gone back if it weren’t for three things:

  1. The writers on the new Flash series would be there, signing autographs.
  2. One of them posted a reminder on a message board that I frequent. (I would have looked at the calendar next Friday and realized that I missed it.)
  3. They were screening Teen Titans: Trouble in Tokyo, a full-length movie that will otherwise only be shown on Cartoon Network.

With #3, that meant Katie wanted to come along too.

So we got up early (for a weekend), went out to breakfast at Ruby’s and drove up to LA.

I was shocked to see a line to get in. And the place was comparatively packed. I could swear there were twice as many dealers, and 2 or 3 times as many attendees. My best guess is that a lot of people stayed home in June since it was only a month before San Diego Comic-Con.

I cruised the dealer’s room, found some comic book adaptations of The Colour of Magic (1/4) and The Light Fantastic (full set), and a couple of Elric books, looked at what I thought might be the autograph table to see if Bilson and DeMeo were there (the Flash writers), didn’t see them, and joined Katie as we waited for the movie to start.

And waited.

And waited.

You see, the actor who does the voice for Beast Boy was signing autographs (and using it as a way to collect money for PETA — you got an autograph by making a $2 donation). They wanted everyone in line to get an autograph. He wanted to keep reminding people that they really should pick up some of the PETA literature he had up front.

The movie was supposed to start at 12:30, and didn’t get underway until at least 1:00. Fortunately it was a lot of fun… until 45 minutes in, when the DVD started skipping and catching. And no one did anything about it. The guy sitting at the control table, as near as anyone could tell, wasn’t even trying to do anything. After a few minutes — yes, minutes — of this, people started leaving in earnest.

I decided to make one more circuit and see if I could find the main autograph table, and it turned out that it was the table I thought, and I just hadn’t recognized them (one of them did most of the talking at the Comic-Con panel I went to, and he shaved off his beard between then and now). I spoke to them briefly, got them to sign the new Flash #1 and the Flash TV Special from 1990. (They were really impressed at the condition it was in, and asked where I got it. I explained that I’d picked it up when it was new, and kept it that whole time.)

About this time the people running the movie finally got around to fixing, cleaning, or whatever they needed to do to the DVD, so we got to see the rest of the movie.

Trouble in Tokyo was very good. The story was a bit predictable in places, but it kept up a manic pace and had tons of humor. There was a travel montage early on that was just one joke after another, and some drop-down-funny parts scattered through the film.

The one that practically had us on the floor was in a sequence with a sushi chef trying to convince Cyborg to leave his all-you-can-eat restaurant by handing him ever-more-ridiculous dishes.

We still left after maybe 4 hours, but it was an interesting four hours!

(Originally posted at LiveJournal)

While writing an article on Earth-Prime yesterday, I had an interesting thought linking Superboy Prime’s “continuity punches” from Infinite Crisis with the early appearances of Earth Prime.

DC Comics established Earth-Prime as the reader’s world. It was basically the same as the real world, with no super-heroes, and allowed DC characters to interact with a world in which they were fictional characters. It also allowed the comics’ writers and editors to write themselves into stories. In 1985, as DC was dismantling the multiverse concept with Crisis on Infinite Earths, they established the existence of a Superboy on Earth-Prime, just before they destroyed the universe. This Superboy returned after a 20-year absence as one of the main villains in Infinite Crisis.

Flash #228 (1974), “How I Saved the Flash,” featured writer Cary Bates traveling to Earth-1 and meeting the Flash. Up until this point, the conceit had been that on Earth-Prime, comic writers would dream about super-heroes’ adventures on Earth-1, just as Earth-1’s writers would dream about heroes on Earth-2. In this story, the connection went the other way, too: Earth-Prime’s Cary Bates was able to influence events on Earth-1 by sheer force of will, which he called “plotting power.” Continue reading

Friday afternoon I was walking down Fifth with a couple of Subway sandwiches in my backpack. This section of the Gaslamp Quarter is almost entirely restaurants, and most of them have dining areas out on the street, with the host or hostess’ podium right there on the sidewalk. I had spotted something odd ahead of me, but I’ll let this overheard exchange speak for itself:

Hostess: “Come quick, or you’ll miss something really cool! There’s a sandwich in the street!”
Voice from inside: “Oh, I already saw him.”

Guy dressed as a sandwich

For the record, it turned out to be part of a big promotion for the movie, Accepted.

The convention clearly strains resources to the limit. These traffic cones, used for creating lanes for the shuttles and whatever traffic was allowed in front of the convention center, include such messages as “Reserved,” “No Parking,” and “Stop”—none of which applied to their current use!

Traffic cones with varying labels

Now, I have yet to figure out the connection between Playboy models and comic books, except that these days they do seem to have the same target audience. There were several models doing signings and photo ops around the hall. On Thursday morning, though, this model hadn’t set up her booth yet. The bag on the table looked disturbingly like a body bag.

Playmate Body Bag

This last one actually has no connection to the con, but I forgot to post it on Monday. It’s probably only funny if you’re familiar with the BSD operating systems. (It took me a while, but I eventually realized BSD in this case meant Broadway San Diego.)

BSD Wicked