Last week, the webcomic XKCD ran a strip, Umwelt. Or perhaps it would be better to describe it as several comic strips.

As explained in the mouseover text, the title refers to the idea that because animals have different senses, each animal effectively inhabits a different reality. This can philosophically be extended to human perceptions.

Keeping that in mind, make sure you read it in a few different web browsers (both desktop and mobile!) for the full effect (JavaScript required). And try resizing the window.

As an art project, it’s the best use of browser-sniffing I’ve ever seen.

You may have noticed elements of the 1990s creeping back into comics, music, movies and TV. There’s a reason for that: pop culture seems to be obsessed with its past on a 20-year cycle, and the current love affair with the 1980s has passed its peak.

I go into more detail — including thoughts on some of the implications for the 10-year and 30-year troughs in the cycle — at Speed Force in Return of the 1990s.

WonderCon’s first year in Anaheim* was a lot of fun despite the rain and wind. I actually enjoyed it more than the last one I attended in San Francisco (WonderCon 2010). Partly that’s because a lousy trip into SF soured my mood, and partly it’s because I spent all three days at the con this year, but it’s also because this year’s con had everything I’ve come to expect at a WonderCon, with more space, so the crowds never got unbearable.

»Skip to the photos if you’re so inclined.

There was a very strong comic book focus to the con, maybe not so much as at Long Beach, but all the major comics publishers were there, plus many of the minor ones. I was surprised to find webcomics wrapped around the large-press area and not hidden off in a corner. The small press and Artist’s Alley areas were huge (especially when compared to Wizard’s Comic Con in the same hall two years ago). And there were comic book dealers all over the place.

The only real complaint I had about the layout was that it seemed a bit haphazard. Marvel, IDW, and DC were front and center, but Studio Foglio and the Winner Twins were stuck in between IDW and DC. Zenescape was off in a corner rather than being clustered with fellow indies Archaia, Aspen and Avatar. And when I say the comic dealers were all over the place, I mean scattered all over the place.

The rest of the convention center was being used by a girls’ volleyball tournament and a cheerleading competition. I was encouraged by the fact that the players were just as interested as the fans in taking photos of and with the people in costumes, from Captain America and Bucky through Optimus Prime.

*They’d like to return to San Francisco after Moscone Center’s renovations are done, but that’s still up in the air.

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I wasn’t sure what to expect from Comikaze Expo, and I’d just been to Long Beach Comic-Con the weekend before, but I was curious about the new show, and for $12 a day, I figured I’d check it out. Getting a discount on that already-low price through Goldstar clinched it, and when I found out my friend Wayne was going, we decided to carpool.

Cobra cosplay including the Baroness and Serpentor at Comikaze Expo 2011.What we found was a surprisingly big show, with a wide variety of exhibitors, though I’d hesitate to call it a “Comic-Con.” More of a general geek pop culture show. There were certainly comic book artists and dealers (a few of whom I recognized from last week), but it reminded me a bit of the last Wizard con I went to (Anaheim 2010). There were actors & celebrities, artists, indie publishers, authors, dealers, T-shirt and nerdy craft sellers, costumers, fan groups for everything from G.I. Joe to Firefly, tattoo artists (that’s a new one), a giant card game area, a giant tabletop game area, and a video game demo trailer. All in all, it was somewhere between Wizard and San Diego without the big names.

The Crowd at Comikaze Expo 2011

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When I heard that Long Beach Comic Con was rebranding itself as Long Beach Comic and Horror Con this year, I was a little concerned. One of the things I liked most about it the first two years was the heavy emphasis on comics compared to San Diego (which has plenty of comics, but is so big that it’s easy to miss them) or the Wizard conventions (which seem to have refocused around celebrities). As it turns out, the horror didn’t drown out the comics at all. The front of the hall was still mainly comics publishers, with dealers (mostly comics and collectibles) behind them in a U shape, wrapped around the core: a gigantic Artist’s Alley.

Of course, Halloween and horror did make their presence known, starting with the signs for zombie parking, and continuing with programming, guests and costumes. (Jump straight to the photos.)

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