Gateway to Adventure(land)

We took the kid to Disneyland this weekend. It’s been a few years since I’d been to the park, and with NYCC happening at the same time, I couldn’t help but compare the experience to San Diego Comic-Con.

  • It’s expensive to get in, but once you’re there, most of the events are free.
  • It’s hideously crowded.
  • Everywhere you go, people are stopping for photos with people wearing costumes.
  • You spend a lot of time waiting in line. (But at Disneyland, you can usually be sure you’ll get in!)
  • Food is overpriced and mediocre, unless you leave and come back.
  • You can’t possibly do everything in one visit.

Circular window with concentric circles and spokes, seen from below and to one side.

Partway down the central escalator at the San Diego Convention center, you can look down the long cylindrical skylight that makes up the roof of the lobby, rings forming the appearance of concentric circles. Years ago, a friend of mine referred to it as the Death Star Cannon shot, and it’s a popular one to take, both during Comic Con and at other events.

Looking along a long, semi-open tube in a building, with the Comic-Con banner in the center.

At this year’s Comic-Con International, I found myself looking at the windows surrounding the stairs instead. My first thought was to mix things up with the classic cannon shot, but when I got home and looked at the results, I realized: This really does resemble the windows in the Emperor’s throne room. It’s still a Death Star shot, but a different part of the station!

If you’d like to see more photos or read more about my experience at the convention, check out I Survived Comic-Con 2013.

And this year, that’s saying something. (I’ll get into that later.)

Sometime Thursday afternoon or Friday morning I concluded that we’d remember this year’s trip more for the circumstances around it than for the con itself. I had no idea.

For starters: We had tickets for Thursday and Friday, and planned to drive into town Wednesday afternoon and drive home Friday evening. Sure, Comic-Con is stressful, but we always used to drive home Sunday evening and I was fine.

Of course, most of those times we weren’t bringing a toddler along.

Under Pressure

Comic-Con is a stressful, high-pressure, taxing experience. Vacationing with a small child is also a stressful, high-pressure, taxing experience. And so many little things went wrong the first two days: Leaving the stroller behind and having to buy a cheap one on the way, the leg cramp in stop-and-go traffic, having to search for outlets to plug in the lamps in our hotel room (and having to unplug them in order to charge more than one phone at a time), the fit at dinner that had strangers commenting on how J must be tired (actually, ma’am, he acts like this regardless of sleep quotient). Getting out too late to take the shuttle back and having to take the trolley instead (though that actually worked out fine, as J loved the idea)…at which point we learned that the routes had changed since we last rode the trolley, and we got off one stop too early to make the transfer.

Thursday morning we had everything planned out: We’d go to breakfast at Broken Yolk Cafe, then pick up our badges, then I’d take J around while Katie tried to catch the first big panel of the day. So what happened? We missed the shuttle because they moved the stop from where it had been last time we stayed on this route. Then I ordered blueberry crepes and managed to spill them on my shirt and shorts. They went into the con while I went back to the hotel to change clothes and try to rinse out the blueberry syrup before it stained.

And the first taste of Comic-Con is always overwhelming. Always. Add in these circumstances and you won’t be surprised that when I finally caught up an hour and a half later, Katie was ready to swear off ever coming back.

Lessons Learned:

  1. Always bring spare clothes. (Done, fortunately.)
  2. Don’t start the con with a breakfast that might stain if it spills.
  3. If you’re bringing a small child, find some way that you can start the con without them, then bring them in later.

Overheard: “It was! It was! It was Reptar!”

Settling In

Fortunately, things improved over the course of the day, and the rest of Thursday actually went pretty well. Friday, on the other hand…well, we’ll get to that.

Continue reading

I’ve been attending San Diego Comic-Con for more than 20 years, but this was the first time I left the con in an ambulance.

I’m OK now. Though I might not be when I see the bill.

It started at lunchtime. We went to New Break, an independent coffee shop near Ralphs, which we’d been to before. They were offering samples of a blended peanut butter banana coffee drink, and while I really wanted to try their blended mint mocha, it was safer to skip something made on the same equipment.

What I decided on was a Mexican Mocha. Generally, these add cinnamon, maybe nutmeg or chili powder. I’ve had drinks with that and similar names, and Mexican hot chocolate, plenty of times. I didn’t ask what was in it, but I had just told them I was allergic to peanuts when I decided to skip the blended drink.

I considered getting it iced, but there was some confusion as to what was included in the lunch deal, so I got it hot instead. That turned out to be a wise decision, since I probably would have started out chugging a few ounces of a cold drink.

Two sips in, the back of my throat and my lips started tingling — a bad sign. I stopped, flagged over one of the baristas, and asked whether there were any nuts in the drink. She didn’t think so, but said she’d check.

I pulled out my emergency kit, took my Benadryl and Pepcid, and set my Epi-Pen on the table in case it progressed. I probably should have just taken it right then, but who wants to spend the afternoon in the emergency room instead of Comic-Con?

Meanwhile, the coffee shop staff had been unable to find ingredients for the mix, and had to call the owner to confirm that yes, there were peanuts in it.

Great.

Over the next hour, it felt like the reaction was under control, so I figured we could return to the convention center. Unfortunately, anaphylaxis can take several hours to run its course, and medication can wear off before it does. Continue reading

Outside WonderCon 2013 at the Anaheim Convention Center

WonderCon 2013 returned to Anaheim after last year’s experiment, and the event felt more solid this year. As much as I hope they’ll be able to return to San Francisco, they’ve shown that they can put on a really good convention in Anaheim as well.

The Anaheim Venue

Since last year, the Anaheim Convention Center has replaced a long driveway between hotels with an extended pedestrian area, with fountains at either end. This turned out to be fantastic for the convention, because it gave people a place to hang out, visit, hold photo shoots, and more. This was also where five food trucks set up shop to handle the lunch rush, which added not just supply but more variety. Compare to San Diego, where most exits from the convention center make you cross a driveway, a major street, and two sets of railroad tracks, one for freight and one for the trolley, before you get to any sort of open space, and even that has been co-opted by off-site events.

Another difference from San Diego: The sections of the main hall are separated by permanent walls, including the food courts…and as I discovered on Friday, an atrium. That atrium was a bit of a shock the first time I walked into it, because it gave me an overwhelming sense of deja vu, like I’d just walked out of WonderCon 2013 and into WorldCon 1996. I could swear it’s left over from before the major remodeling they did in the late 1990s.

Continue reading

Spider-Man answers his cell phoneComic book convention season has begun, and I’ve updated my Tips for Comic-Con with a bunch of ideas for keeping connected during and after the con. Smartphones, live-blogging and social networking have changed expectations and added a new set of challenges to the crowded event.

Getting Online

  • Wi-Fi is available in some parts of the convention center (which ones varies year to year). It’s frequently jammed, though.
  • If you see both free wifi and a paid hotspot on a service you already subscribe to, go with the paid service. It’ll be less crowded.
  • If you need to get online but can’t connect on the convention floor, hit a nearby hotel lobby.
  • Hotel internet access is often faster early in the morning than late at night, because no one wants to get up early to go online. That’s the time to upload your photos.
  • Cell reception can vary a lot by carrier in some convention centers, especially those with basement exhibit halls (Long Beach, I’m looking at you.)

Social Networking

  • If you want to update multiple social networks from the con, don’t spend time posting to all of them on a busy connection. Pick one and have it sync to the others using built-in connectors or IFTTT.
  • Tag your photos by convention+year and topic. Examples: Comic-Con 2013, #SanDiego, #cosplay, #SDCC, #StarWars.
  • Look for photo pools/groups dedicated to the convention (ex: SDCC on Flickr) or topics.
  • If you aren’t posting photos instantly but do want to share them, post them nightly or as soon as you get home. Interest drops off quickly after the con is over.

Hardware

  • Set your phone to vibrate and text instead of calling. You won’t be able to hear it ring or carry on a conversation on the main floor. Even then, you’ll want to check frequently for messages you’ve missed.
  • Bring a spare battery for your camera so you can swap it out in the middle of the day.
  • Make sure you bring chargers and data cables for ALL your electronics. Charge your phone every night, even if you don’t think you need to.
  • If you heavily use a power-hungry phone, carry a battery extender so you can recharge without finding a socket.
  • Save battery by turning off or slowing down notifications that you won’t be keeping up with during the con. If you only plan to check (for instance) Facebook in lines and after hours, you don’t need your phone checking every 5 minutes while you’re on the floor.

Head over to Speed Force for the full list of Comic-Con tips!

Emerald City Comicon’s website was hacked and deleted this week…along with all their backups.

Ouch.

Ticketing is all handled offsite by EventBrite, so tickets and financial info are safe. They’ve redirected their URL to the Facebook page while they rebuild their website.

Lesson learned: Isolate your backups.

I don’t just mean physically. Yes, you need to keep some offsite in case the reason you lost your server is that the building caught fire. But isolate the online access as well. If you back up your site by pushing the backups from your server to a remote location (either self-hosted or cloud storage like Dropbox or Amazon S3), those credentials are stored on your server somehow. What could an attacker do with them?

Consider: If someone breaks into your web server, what else can they do in addition to vandalizing your site? Can they access other databases? Can they hop onto your internal network? Retrieve or alter private files? Can they get at your backups? If so, can they get at all your backups including private documents?

The answers are going to depend on your network and backup setup. But they’re questions you need to start asking.