Category: Highlights

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epi-pen

A great visual explanation of how to administer an epi-pen to someone experiencing severe anaphylaxis as a result of a food allergy, bee sting, etc. Plus commentary from Tumblr.

I’ll add: Absolutely don’t be squeamish if someone needs you to do this for them. Once I accidentally bounced the epi-pen off my leg when I jabbed myself with it during a severe reaction. You need to jab and hold it. Basically none of the medicine actually went in. Fortunately I carry a two-pack and was able to use the second injector, and I’m still around to tell the story.

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Chess (original)

I recently went through a few weeks listening to Chess over and over again. This happens every few years when I find a new (to me) recording of the musical, and then I forget about it for a few years until I stumble on another version and the cycle starts again.

I’ve never seen the show. (Update: I finally did!) It took me years to even listen the whole way through. But it’s been on my radar forever. “One Night in Bangkok” was a Top 40 hit when I was around ten. JMS used to open his Babylon 5 convention panels with a music video set to “Nobody’s Side.” The solo songs were immensely popular in my college musical theater classes: The guys who were serious about it all wanted to sing “Anthem” (can you blame them?), and I lost track of how many times I heard “Heaven Help My Heart,” “Someone Else’s Story,” and “I Know Him So Well.”

For those unfamiliar with the show, it’s about the personal rivalry between American and Soviet chess champions and the political machinations surrounding a world chess tournament during the cold war.

Contrast

Chess (Broadway)

One of the things I find fascinating about Chess is that it’s got two very distinct musical styles: timeless classical, and glaringly 80s synth pop, sometimes both within a song. Listen to parts of “Merano” or “Mountain Duet” or even “Anthem” and you’d be hard-pressed to say what decade they were written in. “You and I” sounds like it could be part of a 1930s movie soundtrack. But “One Night in Bangkok,” or “Pity the Child,” or “Nobody’s Side?”

Totally 80s!

After listening to the concept album, the Broadway cast album, and Chess in Concert, I’ve come to realize why it’s done that way, and why it works. The show is about duality and contrast: American vs. Soviet, East vs. West, and of course the ancient civilized game of chess and the very modern lives of those who play it.

80s synth-pop is not only perfect for the time it was written and is usually set, it offers a perfect contrast to the classical sound. You could probably update the arrangement on “I Know Him So Well” if you really want to, but what are you going to do with “One Night in Bangkok?” Or going back to “Mountain Duet,” the jump from slow, beautiful melody to jarring hard rock brings the tension from the background to the front of the scene.

Comparison

Chess in ConcertMusically, my favorite is the original concept album. The overall sound just works better for me, though it’s hard to follow the choral numbers.

The best thing about the Broadway version is Judy Kuhn. She’s amazing, and the expanded role for Florence gives her plenty of opportunities to shine. A few of the orchestrations work better too – “Heaven Help My Heart” is better without the echo, for instance. But while Philip Casnoff is good on most of the recording, he just sleepwalks through “One Night in Bangkok.” Maybe it’s a character choice that works on stage, but isolated as audio it just can’t compare to Murray Head.

The concert version has the clearest story to it, and the additional songs are fascinating for the additional layers they add. Adam Pascal and Josh Groban are great, and I like that they cast two actresses with very different voices for Florence and Svetlana. (Funny that they’re both known for playing Elphaba.)  Strangely enough, Idina Menzel almost sounds too soft here (how did that happen?), but she’s grown on me as I’ve listened through a few more times.

Plus I had this great idea to do a fan video using her version of “Nobody’s Side” for Frozen.

I’ll probably never get around to it, but wouldn’t it be awesome? Or at least *ahem* cool?”

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VAPE COMPUTERS

This sign pairing has been there for years, and we finally picked up enough round tuits to snap a photo of it.

Usually we try to catch funny signs like this as soon as possible. You can bet M’hael’s wasn’t up for very long. But sometimes, as in this case, it’s not something broken, it’s just something odd, and it sticks around for a while.

Even so, we’ve missed a few.

The one that started Katie off on this was a demolished restaurant with only a port-a-potty left standing…and a sign saying “Ask about our banquet facilities.”

I drove past “Victory Foam” every morning for a year and never stopped for it.

Someone scrawled “Life is full of bumps” in loopy text inside the Sepulveda Tunnel under LAX, and I spent months trying to decide if there was a good way to stop safely, or walk in on foot.

KFC swapped out their “Hot & fresh breast meal” really fast, but at least we caught the Hot & Fresh Strips meal!

On a similar note, there was a car billboard on the freeway advertising “The four-crotch crotch rocket.” And a restaurant called “Seaman’s Inn” that Katie saw on a family vacation and couldn’t even comment on it.

It took a decade to catch another “ELF STORAGE” after missing the first one.

Just last month I missed the local Round Table’s Back to the Future reference by a day. (It was a week before the actual date, and I figured they’d keep it up that long. I came back the next day and it had been replaced by a new quote.)

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Last weekend I returned to the Madrona Marsh Preserve to see what our late summer/autumn heat wave had done to the place. The fields of sunflowers I saw in August have gone to seed and dried up, and the pools have continued to retreat. I managed to get a third shot in the same grove as before, where trees grew out of a pool in spring, towered over low ground cover in summer, and now stand alone, waiting for winter rains to flood the grounds again.

The image above is a combination of spring, summer and fall (specifically May, August, and October) views at the same spot.

The higher parts of the preserve are covered with dry scrub, though volunteers have cleared a lot of it out. The broken tree limb I had to walk around in August has been cleared away as well. Deep into the wooded area we did find mud flats teeming with reeds, smaller plants, dragonflies, songbirds and insects. I don’t know if any standing water remains, since we turned back at that point. (Kids have boundless energy, but limited stamina.)

Over on Flickr I have about a dozen photos of the hike, showing the preserve’s current range from dry scrub to muddy grass.

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Spring: trees growing out of a pond. Summer: trees with a lot more branches growing out of dry ground with lots of grass.

Finally put together a before-and-after shot!

On the right: May in Madrona Marsh, after winter and spring rains filled up the low-lying areas of the preserve.

On the left: Late August in the same spot, after summer had dried up the pools. Despite the drought, and helped along by a couple of freak summer storms, the ground is still holding onto enough moisture that the floor of the vernal pool is covered with low greenery instead of dry grass.

I know, it’s always better to put “before” on the left, and I tried it with that layout, but it ended up looking better this way.