I’ve been having trouble trying to find a good Twitter app for my Android phone.

Actually, that’s not entirely true. I’m extremely happy with Twidroid, which I’ve been using since I got the phone. The problem is that I need a good second app, because I have two accounts I want to use. Update: This is no longer a problem (see end).

I ♥ Twidroid

I keep going back to Twidroid for two main reasons:

  • It lets me do everything I want to do with Twitter on my phone.
  • It makes the most common tasks as streamlined as possible.

That second item is really the key. Most other Twitter apps I’ve tried tend to get in the way. Want to post something new? Hit the menu button, then choose an item from a pop-up toolbar. Want to open a link? Press and hold, then select from a big long menu.

With Twidroid, buttons for posting a new tweet, showing replies, posting/viewing direct messages, and refreshing the view are right there at the bottom of the screen. One tap and you’re posting. One tap and you’re pulling in new messages. One tap and you’re looking at replies. And you open links by tapping a message, not pressing and holding.

It’s like the “easy button” from the Staples commercials.

Twidroid also ties in to the Android OS, making it easy to share a link directly from the browser, or share a photo directly from the image gallery.

Another nice feature is that it can break down background notifications by category. If I want it to check for replies and direct messages and sound an alert, but not worry about general posts until I look, I can tell it to do so.

I Tweet

I Tweet ($2.99) is very close, and I’ve been using it as my secondary app for several months. It ties into the OS, does photo uploads and URL shortening, lets me customize notifications, etc… but it has a tendency to get in the way. The user interface is pretty, but cluttered. The things I want to do most often require multiple taps (or worse, press-and-hold, like opening a link).

The worst part is that if I don’t let it check periodically for new messages, I can’t tell it to pull in new ones when I launch it… and it won’t always retrieve older posts. If I post something before hitting refresh (which is hidden behind the menu button), it won’t pull in anything further back than the post I just made.

Trial and Error

At this point, I’ve got my personal account @KelsonV set up on Twidroid. That’s the one I have linked to this blog and to Facebook. I’ve got @SpeedForceOrg running on I Tweet. I’ve been using it a lot lately with the lead-up to Comic-Con International, and those few problems have started really bothering me.

So I tried a bunch of others this weekend.

  • Twitli – I used this one for a while a few months ago, but it was kind of buggy. The last straw came when I was trying to upload a photo during WonderCon, and I switched the account to Twidroid for the duration of the con. I only gave it a glance this time around.
  • Loquacious – nice w/ multiple accounts & photo integration, but incomplete. No notifications, can’t share a link from browser — heck, no settings at all other than login+password and filters. Either that or the demo is crippleware in addition to being time-limited. Also, suffers from press-n-hold syndrome like I Tweet.
  • Twitta – too basic.
  • Twit2go – Photo uploads worked decently, and it was able to do notifications the way I wanted, but it didn’t hook into the OS as well as Twidroid or I Tweet. And it was yet another case of press-and-hold to open a menu that includes opening links. I decided to stick with it for a few days, though, and was pleasantly surprised to see that it did pull new messages automatically when opened, so I wouldn’t have to worry about missing anything. Gave up on it when I tried to retweet a post that ended up being too long, and rather than let me edit it down to size it just cut off the end…which happened to be the link.

So I’m back to Twidroid and I Tweet for now. I’ll probably end up swapping the accounts again and putting SpeedForceOrg on Twidroid, since that’s the one I’m likely to be using most during the con. *sigh* Why do I have to make things more complicated for myself than they have to be?

Update: A few months after I wrote this, Twidroid released Twidroid Pro, which adds several features on top of the free version…including multiple accounts!

I have to confess: I’ve started seriously thinking about a netbook.

Not that I actually need a netbook. I’d only really end up using it for conventions that I’d want to post live (which would probably boil down to Comic-Con International), and I have the ability to do that using either my G1 or the laptop.

Long-time readers (all five of you 🙂 ) may remember that last year I agonized over upgrading my phone to something with real web capability until they announced wifi, and I just lugged the laptop around. Which worked fine, but it was heavy, especially the day I was also carrying around Comic Book Tattoo.

Of course, now I can use the G1 to post to my blog, or Twitter, or Facebook, or (almost) anywhere else even without wifi.

Except…

  • Typing on that tiny keyboard is slow. Not as slow as the onscreen keyboard, but still a lot slower than typing on a full-sized keyboard. Then again, netbook keyboards are also smaller than standard, so it might not be much of an improvement.
  • There’s no easy way to transfer photos from another camera. I can only think of two ways other than using a computer as an intermediary: use a Micro-SD card with adapter in the camera, or get a card reader that will clone data from an SD to a Micro-SD.

The camera issue shouldn’t bother me. Chances are I’d just end up doing what I did for WonderCon this year: post the occasional phone pic to Twitter and then upload the good photos to Flickr each evening. Just like I’d mostly be writing brief posts from the convention and detailed posts at the hotel.

Not my book, but the same page that she signed in mine.But then I remember the post I made on the Tori Amos signing last year. After the signing I was so hyped that I found a table, set up the laptop, banged out a blog post, hooked up the camera and added a couple of photos…and the post ended up getting linked on a major Tori fansite, producing a traffic spike so big that not only is the following day still this blog’s busiest day ever, but that post, even though traffic fell off over time, is the 8th most-viewed post on the site over the past year.

Still, the promise of another 15 minutes of blogfame isn’t enough to justify several hundred bucks. (Though the < $200 models that pop up on Woot from time to time have been tempting.) So I’m making an effort to practice typing with the G1, both the physical and on-screen keyboards. I’ve got Twidroid and I Tweet for posting to two Twitter accounts. I’ve got wpToGo to simplify blogging. I’ve got a plugin that will automatically liveblog using Twitter, which I still need to test.

It’s just a matter of making full use of the tools I have, rather than running after the latest cool toy.

Update: I posted this last night, but somehow it ended up backdated to the day I started it on May 20. I think wpToGo must have set a publishing date when I posted the draft. Yes, I started this post on my phone.

Comic-Con International finally announced the opening of this year’s convention block in San Diego hotels: March 19.

This time last year, they’d already gone on sale and sold out.

As recently as three (or maybe four) years ago, they’d have sent a postcard by January. They used to include a full list of hotels in the winter newsletter with distance and prices. I could swear I remember them going on sale in January.

Of course, five years ago you could still book the Little Italy Super 8 only less than a month in advance. Now the discounted rooms are in such demand that they sell out in a matter of hours.

Like last year, they are only selling tickets in advance, so if you plan on attending, you should order them online.

Possibly jumping the gun, but last night I reserved a backup hotel for next year’s Comic-Con. Although considering that most of the big-name hotels right by the convention center are already booked (though I’m sure they’ve set aside blocks for the convention already) or want incredible amounts of money per night, perhaps it’s not that crazy an idea.

The price and distance are just good enough that I’d be willing to skip the insane reservation crunch when the convention block goes on sale next year, though I’ll probably give it a shot to see if I can get something closer.

Meanwhile, we’re seriously considering hitting WonderCon again next year, which will also give us another excuse to visit people up in the Bay Area. (Not that we should need an excuse, but it seems like we do.)

As Comic-Con International strains at the boundaries of the San Diego Convention Center, it’s begun spilling over into the city. Go back 4-5 years, and the most you would see would be the occasional street light banner or bus stop advertisement. Now, there are people handing out flyers as far out as the trolley stops, and walking around the Gaslamp in ridiculous mascot costumes (the sandwiches a few years ago, the donuts this year). There are displays near the trolley stops. There are buses wrapped with full advertisements for movies and TV shows, shuttle vans labeled U.S.S. Enterprise — there was even an ice cream truck parked for several days on 5th street with a Eureka ad on the side (and probably something inside it, but I was always on the other side of the street when I saw it).

It’s mainly the TV and film studios (except for the flyers), and it ties into something that author Robert J. Sawyer mentioned at his spotlight panel: Convention-goers are nexuses (well, nexi). We’re the people who are so into movies, TV, games, comics, etc. that we’ll put in the effort, time and expense to go to this kind of event, and we’re likely to talk about it. They’re counting on us going back to our offices or dorm rooms, hanging out with friends, blogging, posting on Twitter, or otherwise telling everyone we know about how cool this and that new movie is going to be.

In short: It’s an advertising blitz designed to kick off word-of-mouth hype, aimed at the crowd that’s both most primed to receive it and most likely to spread it.

With the massive convention floor and unbelievable crowds, they’re doing everything they can to stand out. So we get the viral marketing, like the ads for TruBlood, the Humans-Only Restrooms signs, the army of people in Quarantine outfits, the Neighborhood Watch–style sign for The Spirit. We get the swag. We get the celebrity appearances. We get displays of terra-cotta warriors to advertise The Mummy and replicas of the Owlship from Watchmen.

All that brings in more people, which of course makes the event more attractive to the studios, so they put in more effort, which brings in more people, and they start promoting movies that have nothing to do with comics, sci-fi, fantasy or horror, the genres that used to be the main focus for the con. (I remember thinking that Harold and Kumar Go to White Castle was an odd choice to promote at Comic-Con. This year, the sequel blended right in.)

The con seems to have reached an upper limit in terms of the number of people it can handle at the current venue, which is contracted through 2012. I wonder whether Hollywood will demand bigger crowds — which would probably be best handled by spilling into neighboring hotels — or be satisfied with the numbers it’s got.