Tag: Robert J. Sawyer

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I’ve been thinking a lot about Robert J. Sawyer’s Quantum Night the last few months. It links human cruelty, psychopathy, and mob behavior to the nature of consciousness, mostly focusing on the main characters but playing out against a global crisis brought on by a rising tide of xenophobia.

More recently, I’ve been thinking about Frameshift. His 1997 novel deals with (among other things) eugenics, Neanderthals, Nazis, and health insurance companies doing everything they can to avoid covering people with pre-existing conditions.

I can’t imagine why that keeps coming to mind….

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Red Planet BluesSorry I don’t have a new article on Reading Les Misérables this week. I took a break to read Robert J. Sawyer’s latest novel, Red Planet Blues. It’s a detective noir story set on a future Martian colony where people have perfected the art of transferring human minds into robot bodies. It’s expensive, but it also makes modern fingerprint, DNA and other biometric forensics useless, forcing investigators to fall back on good old-fashioned sleuthing. The colony itself is essentially a gold rush town, only instead of gold, people have gone to Mars seeking fossils of long-extinct Martian life.

Sawyer read an excerpt from the novel during his author spotlight at Chicon 7 last summer. It sounded like great fun, and it lives up to its promise.

Unless I get totally swamped, I should be back to Victor Hugo next week…well…probably. There’s a new Julie Czerneda book out, and I’m really tempted to read that now that I know it’s out. I don’t want to lose too much momentum on Les Mis, though.

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I’ve been re-reading Robert J. Sawyer’s original Flashforward novel…

Flash Forward and Flashforward

…for obvious reasons.

Adaptation

It’s been interesting to look at both where the TV series diverges from the book: the setting, the time scale, recordings, and in most cases the cast — and where it tracks: the concept, the impact of the worldwide blackout on people now, the way different people approach their foreknowledge, a main character investigating his own murder, and the way the viewpoint organization just pulls together to take point on investigating the incident.

And every once in a while, a specific conversation is adapted. Demetri’s “You’re going to be murdered” phone call from Hong Kong and Theo’s phone call from South Africa are very similar. And there’s a discussion on the likelihood of an event hitting exactly on the hour that was practically lifted for episode two.

I doubt the TV show will tackle the question of whether the universe exists without observers (sort of “If a tree falls and no one is there to hear it, does it make any sound?” taken to the extreme) or the long-term implications of life extension. And somehow I doubt the Large Hadron Collider and search for the Higgs boson are involved (though I noticed the TV show’s Lloyd Simcoe works at Stanford, which does have their own particle accelerator).

It’ll be interesting to see where they go with this.

Prediction

Entirely separate from the TV show, it’s also been interesting to look at the book’s predictions for the present day. Most of it takes place in 2009, but it was published 10 years ago. I list a few items — like getting the Pope’s name right, but missing the explosion of cell phones — in my review of the book from when I read it last year.

Then there’s the suggestion made that one could prove the future can be changed by demolishing some major landmark that many people saw in their visions, but “I don’t suppose the National Park Service is going to let us do that.” In my head, I imagined a deadpan voice saying, “You can’t blow up a national monument.” Hmm, I doubt the cause of the blackouts in the TV show will be robots from space. 😉

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One of the events I made sure to hit at Comic-Con was the Flash Forward panel. Flash Forward is a new series launching on ABC this fall — you’ve probably seen ads for it — about what happens when everyone in the entire world blacks out for two minutes and has a vision of what they will be doing at a specific time in the future. This incident has two major consequences:

  • Millions of people die, worldwide, in the space of moments. Cars and airplanes crash, people standing on staircases or ladders fall to their deaths, swimmers drown, etc.
  • The survivors know exactly what they’ll be doing for a two-minute slice of time in the future…but they don’t necessarily know why.

Flash Forward

It’s based on the novel Flashforward by Robert J Sawyer, which I reviewed last December. It’s a great book, and I highly recommend it. The focus seems to be different, though: the book follows the scientists whose experiment accidentally triggered the event, in which everyone sees visions of 21 years in the future. The TV show is following, to start with anyway, an FBI agent investigating the event.

So where the book is mostly philosophical science fiction, the show looks like a mix of action, mystery and drama.

Both have, as their major theme, a single question: If you knew what your future was going to be, what would you do? Would you try to change it? Would you try to make it happen? If you saw a future you wanted, would you slack off, confident that things would work out in the end, or would you put in extra effort knowing you’d succeed?

To start with, they brought out the producers of the show, had some discussion, then ran the first two acts of the pilot episode.

Read on for a write-up and photos from the panel. Continue reading →

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As Comic-Con International strains at the boundaries of the San Diego Convention Center, it’s begun spilling over into the city. Go back 4-5 years, and the most you would see would be the occasional street light banner or bus stop advertisement. Now, there are people handing out flyers as far out as the trolley stops, and walking around the Gaslamp in ridiculous mascot costumes (the sandwiches a few years ago, the donuts this year). There are displays near the trolley stops. There are buses wrapped with full advertisements for movies and TV shows, shuttle vans labeled U.S.S. Enterprise — there was even an ice cream truck parked for several days on 5th street with a Eureka ad on the side (and probably something inside it, but I was always on the other side of the street when I saw it).

It’s mainly the TV and film studios (except for the flyers), and it ties into something that author Robert J. Sawyer mentioned at his spotlight panel: Convention-goers are nexuses (well, nexi). We’re the people who are so into movies, TV, games, comics, etc. that we’ll put in the effort, time and expense to go to this kind of event, and we’re likely to talk about it. They’re counting on us going back to our offices or dorm rooms, hanging out with friends, blogging, posting on Twitter, or otherwise telling everyone we know about how cool this and that new movie is going to be.

In short: It’s an advertising blitz designed to kick off word-of-mouth hype, aimed at the crowd that’s both most primed to receive it and most likely to spread it.

With the massive convention floor and unbelievable crowds, they’re doing everything they can to stand out. So we get the viral marketing, like the ads for TruBlood, the Humans-Only Restrooms signs, the army of people in Quarantine outfits, the Neighborhood Watch–style sign for The Spirit. We get the swag. We get the celebrity appearances. We get displays of terra-cotta warriors to advertise The Mummy and replicas of the Owlship from Watchmen.

All that brings in more people, which of course makes the event more attractive to the studios, so they put in more effort, which brings in more people, and they start promoting movies that have nothing to do with comics, sci-fi, fantasy or horror, the genres that used to be the main focus for the con. (I remember thinking that Harold and Kumar Go to White Castle was an odd choice to promote at Comic-Con. This year, the sequel blended right in.)

The con seems to have reached an upper limit in terms of the number of people it can handle at the current venue, which is contracted through 2012. I wonder whether Hollywood will demand bigger crowds — which would probably be best handled by spilling into neighboring hotels — or be satisfied with the numbers it’s got.

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Busy day. I had a lot of stuff that I wanted to get to but had to make choices. Shoulders are starting to acclimate, though there’s also the fact that I’ve taken a lot of stuff out of my backpack as I’ve gotten it signed. I have no idea what I’m going to do to carry around Comic Book Tattoo.

Speaking of which, yes, the books finally came in! I picked mine up late morning, and decided to shell out the extra $20 for the hardcover because it’s just so big. It’s at least an inch and a half thick, and it’s 12 inches square — the size of a vinyl record album case.

Katie dressed up as Yomiko Readman, and we started the day at Richard Walker’s Pancake House. They were very busy, but had a system in place that kept people moving — and they were also very good. We got to the convention center around 10:00, explored the floor a bit together, then split up. When I bought a comic from Sergio Aragonés that I hadn’t seen before, and asked him to sign it, he asked her what character her costume was from. He clearly didn’t recognize the show, but it was nice of him to ask. The first hour or so that we were there, she mostly got people asking, “What’s that from?” but then people who knew the show started asking for her picture.

I managed to round out the complete set of signatures on the Girl Genius trades. I also picked up a print of the Flash: Rebirth cover at Moose Baumann’s table, and commissioned an Impulse sketch from Todd Nauck. When I got there, he was talking with someone, and I waited while they chatted for several minutes. When he left, it turned out that he was Carlo Barberi, who drew Impulse during most of Todd Dezago’s run. I couldn’t stick around while he drew the sketch, since I was on my way to a panel, plus he was finishing up a sketch for someone else, so I’ll be heading back sometime tomorrow to pick it up.

I went to a couple of panels by science fiction authors, both one-person shows: Connie Willis and Robert Sawyer. Connie Willis was very funny as she talked about writing in general, about her upcoming novels, and answered questions from the audience. Robert Sawyer mostly talked about his experience in the publishing industry, and managed to make it interesting. I followed it up with a panel on lost civilizations and secret societies that should have been fascinating, but was dull enough that I left only 10 minutes in and decided to hit the art show instead. Katie attended “Humor in Science Fiction” and the Bones panel, and I finished the programming day up with Final Crisis Management.

Today was the day for running into people. On my way from Image (with the Tori book) to Studio Foglio, I ran into a group from Comic Quest (the local comic store I go to on Wednesdays). I ran into my mom at the Connie Willis panel. We met up with our friend Sean at lunch, and I ran into our friend Wayne after Final Crisis…because Katie had spotted a Minbari, and I went over to take his picture. Ten feet away, there was Wayne.

Lunch was at an Irish pub called The Field. I missed Sean’s phone call, so by the time we caught up he’d already found a place and ordered lunch, but they were nice enough to move all of us from the tiny little pub table he was sitting at to a larger table. Up to this point, we’d been batting 1.000 on food. Dinner was another story. We hadn’t gotten around to making reservations, and after a couple of places with long waits, we just went to the Horton Plaza food court.

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Scientists have built a computer model of the Neanderthal vocal tract based on fossils, and have simulated the kinds of sounds they could have produced. Ever since I read Robert J. Sawyer’s Neanderthal Parallax novels, I’ve been fascinated by the idea that there were two distinct human species, living side by side, for perhaps thousands of years. What happened to them? Did our ancestors kill them off, or interbreed with them? Did they fail to adapt to a changing climate? (via Slashdot)

On a related note, it seems that Expelled, the anti-science propaganda film that actually invokes Godwin’s Law by claiming that “believing” evolution leads to Nazis, opens this weekend. I’m curious to see how badly they misrepresent things (it’s always best to look for yourself, instead of just taking other people at their word—that’s the whole idea behind science, after all), but I can’t bring myself to support them by actually giving them money. Meanwhile, Expelled Exposed is interesting reading.

In software, dria.org explains why the AwesomeBar is awesome. That’s the nickname given to the new address bar in Firefox 3, which lets you search your browser history as you type. It’s the reason I never went back to Firefox 2 after trying out one of the later FX3 betas, and why I’ve installed Fx3b5 on two more machines. The Opera 9.5 previews have a similar feature, but Firefox’s implementation is better visually. It’s easier to spot the page you want, and over time, it learns which pages you visit more often. It’s so much faster to type a word or two than to hunt through the bookmarks menu. (via Asa Dotzler)

IEEE has an article on how copyright law applies to websites, What Can You (Legally) Take From the Web?

Finally, ***Dave relates an incredibly cool story of going to see Avenue Q and what happened after the show. I had no idea that (at least in New York), the “Give Me Your Money” segment was actually collecting for a charity.