Stopped Freeway

Here’s something funny that happened last weekend.

We were driving back from Los Angeles Saturday night around 11:30pm. You might think at that hour traffic would be relatively light. Not so: it was Saturday night, after all, and the route we were taking (101 south to 5 and onward) went straight through Downtown LA. By the time we merged onto the 5 we’d already been delayed by several slowdowns from accidents. It was a bit past midnight when traffic just…stopped.

We waited, figuring it was another round of stop-and-go traffic. And waited. A fire truck quietly worked its way along the right shoulder. After a few minutes, I put the parking brake on.

But the funny part was the driver of the car next to us.

He looked like he was probably around 20, and was driving an SUV with a sunroof. After a few minutes of dead stop, he opened the sun roof — this was midnight, remember — and climbed up on top of his car to see what was going on.

Then he got back down, opened the door, and walked around to the back of his truck so he could get his camera…and his guitar.

Next step: He handed the camera to his friend in the passenger seat, then walked out in the middle of the lane to pose by the car in front of him, giving a double thumbs-up sign and a goofy grin. As far as we could see, he didn’t actually end up playing the guitar.

I expect the photo is probably on Facebook or Myspace by now…somewhere.

All I’ve got are some blurry photos of the dashboard and the cars ahead.

Oh, and the traffic break? Not surprisingly, it turned out to be an accident. Once we started moving again, we passed an area where several lanes were blocked off…and a car was propped up on its side.

Neil Gaiman remarked on his blog that images his agent emails from Germany end up with the colors inverted, and posts an example of a Coraline poster:

Coraline (German, inverted colors)

“…ah yes, I thought. That’s the sequel, all right. CORALINE APOCALYPSE”

I used to run into this with TIFF images when building websites. (No big surprise, given that there are a million variations on the TIFF format.) I think it was around 2000 or so that I was working on a website for a law firm, and they sent me their logo. The logo, as I received it, was yellow on light blue, so I built a site with black text on a white background for the main areas, and yellow on light blue (matching their logo) for the title, navigation, and borders.

I sent them a link to the test site. They looked at it, and said it was very nice, but could I try to match the color scheme on their logo instead?

It turned out that red and blue had gotten switched around (and possibly more, because I can’t remember how the yellow ended up in there), but anyway it was supposed to be white on light brown. I switched the channels, redid all the graphics and styles for the site, and they stuck with it for several years.

Back on the subject of Coraline, Gaiman adds in his post that the film has become “the second highest grossing stop-motion film ever” after Chicken Run. So why does it seem to be forgotten already? Just two months ago, commentators were falling all over themselves to say Coraline was the turning point for 3-D animation being part of the storytelling and not just a gimmick. Now everyone’s talking about how Monsters vs. Aliens is the turning point for 3-D animation being part of the storytelling and not just a gimmick.

On my way to a doctor’s appointment before lunch, I heard a song on the radio that I liked and wanted to find out more about. I never assume that the DJ will actually identify the song, but I remembered I had Shazam on my G1, and for once it actually managed to identify the song! (Usually I’m trying to ID background music in a restaurant or shopping mall or someplace where half the time I can’t even recognize the song if I do know it). Thankfully for my dignity, it wasn’t Paris Hilton, but rather “What’s In The Middle” by The Bird and the Bee, from their new album Ray Guns Are Not Just The Future. (As it turns out, since it was Morning Becomes Eclectic, the DJ did name the song afterward. But still.)

Now, Shazam is very smart in that it offers a link directly to the song on the Amazon MP3 Store. So I could easily have just bought the song for 99ยข when I parked the car, except…

With unfamiliar artists, I like to at least check out the rest of the album and see whether I want just the one song, or more. And whether it’s a failing in Shazam’s app or the Amazon MP3 app, I could not find a way to go from the song to the album. So I shelved it until later.

Afterward, I opened the Amazon MP3 app by itself, searched for the group, and opened up the album. Another smart thing: If you preview a song on an album, it will go down the whole list playing a clip from each song. I turned up the volume, started the car, and listened to a summary of the whole album on my way to lunch. I decided I liked enough of it to hand over $9 for the lot and see if the remaining songs grew on me, so after I parked the car, I tried to buy the album.

Then I was told that MP3 purchases had to be downloaded over WiFi. WTF? I had a strong 3G signal, and I’ve downloaded large apps (iVerse’s comics and some games are on the order of 5 MB, comparable to a song in MP3 format) over 3G before. Sure, it takes a while, but it’s on the order of minutes, not hours. Naturally the place I’d gone to didn’t have WiFi, and I’m not at the point where I trust it to hold the downloads until the next time I connect to a wifi network. Which will probably be when I get home.

The end result was that I had an entire afternoon to second-guess my decision to purchase the album.

In summary:

  • Good: Shazam makes it easy to buy the song you’re hearing right now from Amazon.
  • Bad: Shazam doesn’t make it easy to buy the album on which that song appears.
  • Good: Amazon makes it easy to listen to samples of an entire album.
  • Bad: Amazon won’t let you download an album unless you’re at a WiFi hotspot.