Tag: Fantasy

Posted on
by

2007 looks to be a good year for fantasy adaptations, at least of books I’ve read. What I’ve seen of Stardust (Neil Gaiman & Charles Vess) looks great. I’m psyched up for His Dark Materials: The Golden Compass (Phillip Pullman)—and I’ve got to say I’m glad they’re doing each book as its own movie, instead of trying to condense the whole trilogy. And Harry Potter and the Order of the Phoenix (J.K. Rowling, as if you didn’t know) looks promising as well, though most of the Harry Potter films have suffered from condensing too much.

I’m a little more apprehensive about The Dark is Rising (Susan Cooper), mainly because the IMDB page says they plan to start early this year, but the Los Angeles Times has it down for a September release. For the record, I do think this is the one to start with, not Over Sea, Under Stone, because as I recall it has a much greater sense of tension, which will translate better to screen. Plus it provides more of an introduction to the world and the conflict, since Will is dropped right in the middle of it, while I remember the other book being set more solidly in the “real” world. The Drews don’t get involved as deeply until later.

On a related note, I don’t think I’m in the target audience for The Number 23. We saw the trailer for it on Friday when we saw Pan’s Labyrinth (which is quite good, BTW), and I could not stop laughing. Not because of Jim Carrey, but because of the premise. Perhaps it comes from reading the Illuminatus! trilogy. There’s a great sequence in the book where one of the characters is starting to look for certain numbers, including 23, in everything. Of course, since he’s human, he finds them, using ever more convoluted arithmetic to prove that they’re significant. While reading Illuminatus!, I looked up stuff on synchronicity and found the tech term for this tendency to see connections where none exist: apophenia. And here I’m watching this preview, and there’s a sequence in which the lead character starts finding the number 23 in everything, using ever more convoluted arithmetic…. I don’t think I could take the premise seriously enough to get into the movie.

Posted on
by

The Blood KnightSorry I haven’t posted much here lately. The main reason is that I’ve been re-reading Greg Keyes’ Kingdoms of Thorn and Bone series before picking up The Blood Knight. (I’ve also been spending time at the Comic Bloc Forums discussing the Flash relaunch.)

Re-reading The Briar King and The Charnel Prince both followed the same pattern: I read half of the book over the course of the week, then finished it on the weekend. I started the new book, The Blood Knight on Saturday morning and basically spent the weekend on the couch reading. About ¾ of the way in I realized acutely that, no matter how fast I read it, there would still be one book left when I finished.

It’s funny, when I first read The Briar King I didn’t like it much. I think mainly I was expecting something less steeped in medieval Europe (based on The Waterborn and The Blackgod). I picked up The Charnel Prince anyway, and liked it much better, and quite enjoyed The Briar King when I reread it.

One thing that’s unusual about this series is that there’s no Merlin figure. No Gandalf to show up in the first few chapters and explain what the Ring is, who wants it, and what has to be done with it. No Moiraine to explain who the Forsaken are, and what it means to be the Dragon Reborn. All the characters are pretty much figuring things out as they go. And they make mistakes—pretty nasty ones in some cases.

I’ve mentioned elsewhere that Greg Keyes and Neil Gaiman are the only authors whose work I will buy in hardcover, sight unseen. Looking at Keyes’ website, I realized that I actually own a copy of every book he’s published. There aren’t too many authors I can say that about.

Only 1½ years until The Born Queen…

Posted on
by

I read Shadowpact #2 last night. So far the book does read better than Day of Vengeance, probably in large part because Bill Willingham can set his own schedule instead of the must-be-6-issues policy of the Infinite Crisis lead-ins.

One of the villains struck me as familiar, though: an albino swordsman with a magic sword, apparently allied to a sinister god-like being, who has picked up the nickname, “the White Rabbit.”

Elric: The Making of a Sorcerer #3Maybe it’s just the timing—just a few days ago I read a comic about Elric, an albino swordsman with a magic sword, allied to a sinister god-like being, with the nickname, “the White Wolf.”

Michael Moorcock's MultiverseActually, I was first reminded of Count Zodiac from Michael Moorcock’s Multiverse, largely because Zodiac is based in the 20th century, rather than an ancient sword-and-sorcery landscape. Count Zodiac is one of at least three versions of Count Ulric von Bek*—the others appear in The Dragon in the Sword and the trilogy that begins with The Dreamthief’s Daughter—and, like Elric, an incarnation of the Eternal Champion.

The Eternal Champion in all his forms fights for the balance between order and chaos, and often finds himself fighting for order while indebted to a lord of chaos. At least two versions** of von Bek are albinos who wield the Black Sword (Ravenbrand, rather than Stormbringer), and while I don’t recall Ulric himself being linked to a demon the way Elric is reluctantly linked to Arioch of Chaos, the von Bek family has ties to Lucifer going back to the Hundred Thirty Years War. Continue reading →

Posted on
by

Character collage: Portraits of two women, looking downward to the left and right. Behind each is another woman standing, one regally in an elaborate blue dress with a necklace and hair ornaments, the other in a plain white dress. They are also looking away from the center. In front are three men standing, two in armor with swords drawn. The man in the center is holding up his sword, dividing the image in half. The man on the right is holding his sword pointing downward. The man on the left is wearing middle-ages-looking clothes and balancing the point of a dagger on a fingertip.The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.

The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.

Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?

Posted on
by

Wheel of Time Book 11: Knife of DreamsI finally talked myself into reading New Spring, the prequel novel to Robert Jordan’s interminable long-running Wheel of Time series. It’s actually a very interesting character study of young Moiraine, and much more engrossing than the last two books in the series have been—perhaps because I don’t expect it to advance the plot.

Anyway, I’ve spent the last week thinking, “I really ought to see if there’s any news on Book 11.” I finally remembered it when I was in front of a computer, and discovered that Knife of Dreams has just been finished, the cover announced last week, and the book is scheduled to be released on October 11.

I came into the series when Book 8, Path of Daggers was the latest, and Winter’s Heart was released during the year it took me to read the series up to that point. I really liked books 1 (once it got going), 4, and 5, and book 2 still managed to keep me up for hours trying to finish when I really should’ve just gone to bed. The problem is that after book 5, he stopped writing novels, and started writing a novel. A really long one that spans multiple books. (Seriously, how long can he drag out the Faile kidnapping story?)

Posted on
by

[Cover]Also in comics news, the nine-part adaptation of Neil Gaiman’s Neverwhere begins in June.

The basic premise is this: In urban areas, we tend to tune out the homeless to the point where we don’t even see them. What if we really don’t see them? What if there’s another world, just slightly out of sync with this one, where the rules are all different. (JMS used a similar springboard for Midnight Nation, but took it in a completely different direction.) There’s poverty, and scavenging… but there’s also magic, and honor, and a society with its own strange codes. The story follows everyman Richard Mayhew as, through a simple act of kindness, he slips through the cracks from London Above to London Below. In order to get back, he has to help a mysterious girl named Door on her quest to find her family’s killers and honor their legacy…and escape the assassins tracking them both!

It’s hard to guess how well this will work. Neil Gaiman’s comics and prose are both fantastic (in every sense of the word). Comic book adaptations of his prose, though, haven’t been nearly as good. The writers have a tendency to preserve too much of the text, and it gets bogged down in narration. It happened with “Murder Mysteries,” with “Only the End of the World Again”, and with “The Price.”

Neverwhere has two advantages, though. It started life as a TV script (he only wrote the novel because he realized that budget limitations and producer interference would prevent them from doing the story “right”), and TV, like comics, is a visual medium. And with nine issues, there should be plenty of room to show, not tell, the story.

Posted on
by

Last week, Sci Fi Wire announced casting for Earthsea*, a 4-hour miniseries to air in December. This was promptly lost amid all the cries of “Why the frell is Sci Fi picking up the Farscape miniseries?”

(Trying to keep this spoiler-free for those who haven’t read the books…)

As I understand it, they are only adapting the first two books. This in itself is odd, as the original trilogy is essentially one work about Ged’s life – youth, adulthood, and age – and key events in his life’s quest. Additionally, the books serve as a travelogue, and by the end of the trilogy you’ve seen nearly every part of the Archipelago. When originally announced (three years ago!) in May 2001, they planned to adapt all three novels*, and announced it as a 6-hour mini when Philippa Boyens was attached to the project* in August of that year. Well, we’re only getting 4 hours, and there’s been no mention of Boyens at all in the last two press releases. (I imagine if she were still on board, they’d be shouting about the Oscar-winning screenwriter.)

Presumably someone declared they were only getting 4 hours, and they decided it would be better to give full time to two books than chop up all three.

Casting includes Shawn Ashmore (Bobby/Iceman in X-Men) as the young wizard Sparrowhawk, Danny Glover as his master Ogion (from book one, A Wizard of Earthsea, and Kristin Kreuk as his opponent/ally Tenar (from book two, The Tombs of Atuan).

Glover sounds like a good choice, and Ashmore should do well at least as the younger Ged. I’ve never actually watched Smallville, so I’m not familiar with Kreuk’s acting.

What’s interesting about this casting is that they’ve (sort of) reversed the races of Tenar and Ged. Earthsea is set in an island archipelago not unlike the South Pacific, and the people tend to look like Pacific Islanders, with skin ranging from light brown or red to dark brown. Tenar’s people are considered unusual for having very light skin (and sometimes blond hair, though Tenar’s is black). When she becomes known outside her homeland, they call her the White Lady. Ged is often described as having red skin. It’s probably a business decision to maximize viewership, since there is a prevalent notion that films with minority leads are geared toward that minority. [Edit: I regret that this didn’t make me angrier at the time, rather than just reacting as “huh, that’s weird.”]

Anyway, I’m straddling the line between cautiously-optimistic and cynical. Hey, if nothing else, knowing the series was finally on its way prompted me to pick up the books again.

Look in the Sci-Fi/Fantasy section for Ursula Le Guin.

*In 2009, when SciFi changed their name to SyFy, they dropped all their old news articles. Fortunately, archive.org has most of them.