Tag: Heroes

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I’m still attending Comic-Con in civvies, but Katie wore two costumes this year: another update of her pirate outfit on Friday, and a Sylar victim with a telekinetic slice across her forehead. Saturday, of course, for the big Heroes panel.

Katie in her latest Pirate outfit Katie as Sylar victim

She did the makeup from scratch, using latex and fake blood, and got a lot of attention. In fact, while waiting in line two hours to get into the panel, series director Allan Arkush walked past, stopped… and took her picture!

Sadly, even after waiting two hours she wasn’t able to get into the room, which was about half as big as it needed to be for the audience. Lots of people left at that point, but she was among the group that stayed hoping to get into the Battlestar Galactica panel afterward (which she did). While bored in line, she and the fan next to her posed as Sylar and victim. Edit: we have a copy of the photo, and permission to post it!

Sylar and Victim

So you can see the result of the traumatic experience of the day:

Katie, after the convention

She got her revenge, though. After we went to see the Buffy the Vampire Slayer 10th anniversary screening of “Once More With Feeling” (described in my Saturday guest post at Comics Should be Good), we went out to the Ghirardelli shop in the Gaslamp District. She got a dark chocolate raspberry sundae, and the raspberry sauce was dripping around the edge of the glass, just so…

Katie zaps the sundae

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The Heroes season finale was excellent. They did a good job of resolving the main story arc established at the beginning of the season (the bomb threatening New York City), balanced action and characterization, answered some questions while still leaving things open—and set up a really interesting situation for season 2.

It’s also nice to see that they’re keeping the weekly online comics going between seasons—and that they mentioned it during the broadcast. I think that’s a good move for keeping fan interest going until fall. I’m still hoping they’ll collect them in print, though. They could probably put everything concurrent with season 1 into a ~200-page trade paperback and sell it in bookstores. It would be a great companion item to go with the DVD set.

Now for more detailed thoughts on the episode. Spoilers follow: Continue reading →

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Harrison Ford as Indiana JonesSendhil Ramamurthy as Mohinder SureshEver notice the similarities between Mohinder Suresh on Heroes and Indiana Jones?

No, seriously. His first arc is straight out of Indiana Jones and the Last Crusade.

Both are teaching professors (Mohinder: biology; Indy: archaeology)

Their fathers are both academicians as well (Dr. Chandra Suresh: biology; Dr. Henry Jones, Sr.: medieval studies).

Both are estranged from their fathers, in part due to the death of a female relative (Indy’s mother, Mohinder’s sister) and in part due to the fathers’ obsessions with their own personal quests (Suresh: evolved humans; Jones: the Holy Grail).

Nonetheless, each pursued his father half-way across the world when that quest got him into trouble.

They both found their fathers’ notes, which had been missed when their homes were ransacked.

Each encountered a female associate of his father, close to his own age, who later turned out to be a spy. Moreover, both women’s first names were four letters long and started with an E (Dr. Elsa Schneider, Eden McCain).

Each shares his name with a family pet. (Indiana Jones took his nickname from the dog. The elder Dr. Suresh named a lizard after his son.)

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Yeah sure, Heroes X-Men blah blah blah, but wait, there’s more. I’m getting a distinct vibe from the latest episode that has less to do with mutants than with good TV. This makes me very happy, all the more because I didn’t pick up on it until the third-to-last ep of the season. Of course, that could be just a lack of recent J. Michael Straczynski in my life.

Warning: the remainder of this post contains spoilers for Heroes through episode 1.21 “The Hard Part.” Also, if you haven’t seen Babylon 5 and Memento, or at least have some working knowledge of the two, you probably won’t be able to make head or tail of it. (God knows I can’t, and I wrote the darn thing.) The more background, the better. Continue reading →

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(Lost)Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)

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[Logo: Wizard World Los Angeles]I went to Wizard World Los Angeles today. I almost went last year, and decided not to—and regretted it when I learned that Sunday (the day I almost went) was sparsely attended. So not only would I have had no problem getting in, but it should be a low-stress experience overall, rather than the insane crowds of San Diego.

The convention itself did turn out to be a nice, low-key experience, and I found some interesting stuff, but getting to the convention was a bit of an adventure. Continue reading →

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Irish and Mexican FlagsI caught a story on The World (PRI) today about Los Angeles band Ollin’s song tribute to Saint Patrick’s Battalion (in Spanish, El Batallón de Los San Patricios)—a group of several hundred primarily Irish Americans who, during the Mexican-American War (1846–1848), left the US Army to fight alongside the Mexicans. They fought fiercely for a year, but came to a bad end: most were captured by the US and executed as traitors.

Cover of Solo #11It reminded me of a story Sergio Aragonés told last year in his issue of Solo (#11). In “Heroes,” he talks about growing up in Mexico, where the San Patricios are national heroes. They have statues, memorials, and a commemorative ceremony every year on the spot where they were executed. After telling the story of how he learned about the battalion, he jumps forward a few decades. Living in the US, with his daughter going to American schools, he wanted to see how she would learn about the heroes of his youth. So he looked through her textbook to the section on the Mexican-American war, and found only a fleeting remark about how a bunch of drunk Irishmen deserted the US Army, surrendered, and were executed.

It was a surprisingly serious story from an artist known for his comedy (some of the other stories in the issue are drop-dead funny), and an interesting commentary on how nationalism shapes our views of history, with one side elevating the battallion, and the other trivializing them.