On the last weekend of October, I made it out to the second annual Long Beach Comic Con. It’s shaping up to be a very artist–, writer– and dealer-focused convention.

A couple of years ago, Wizard World Los Angeles seemed to be all about people looking for deals on comics and collectibles (in which case, why not just go to Frank and Son or the Shrine?). When the show resurfaced in Anaheim this year, it seemed to be all about the celebrity autographs.

If you just want to see the photos, check out the photo set on Flickr. Otherwise, read on!

Layout

The first thing everyone noticed was the row of themed cars out in front of the convention center: A Camaro painted up as Bumblebee, a replica of KITT from Knight Rider, cars from less geeky shows like Starsky and Hutch and (IIRC) Magnum, P.I.…and a car that had been modified to look like a Rebel Alliance small fighter, complete with an R2 unit!

The main floor at Long Beach was bigger this year than last, though nowhere near as big as Anaheim. Unlike Anaheim, they used most of their space.

All the publishers were clustered near the entrance, with Aspen and BOOM! the most prominent, followed by Top Cow, Image and Avatar in the next row with other small press, along with the celebrity autograph area off to one side.

The rest of the floor was structured with a huge Artist’s Alley at its core, surrounded by retailers on either side. Actually, it would be more accurate to say that it was two Artist’s Alley areas with dealers wrapped around them in a sort of F shape.

If you went to Anaheim Comic-Con this year, remember how big the celebrity signing area was, and how small the artists’ area was? Flip it. My gut instinct says that there were more artists with tables here than there were in San Diego, but then it could just be that they’re a bigger percentage of the smaller space.

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This Saturday I attended the first-ever Long Beach Comic Con. I had a great time catching panels, meeting writers and artists, talking about comics, sightseeing, and even breaking some Flash news. I can definitely see this as an annual event.

Note: If you just want to look at photos, feel free to skip to my Long Beach Comic Con 2009 photo set on Flickr.

Location

It’s been at least ten years since the last time I’d been to the Long Beach Convention Center*. I didn’t recognize the building the con was in at all (and I’m sure the shopping mall across the street wasn’t there before), though the facade and lobby reminded me a lot of the San Diego Convention Center with the arched ceiling and floor-to-roof windows. It made me wonder whether they had been designed by the same architect.

With a mall across the street to the west, Shoreline Village across a bridge to the south, and Downtown Long Beach across the street to the north — not to mention the food service in the lobby not being swamped — I really regretted having brought my lunch with me. Though it probably did save time, since I had panels I wanted to see from noon until 2:00. If I’d wanted to go to, say, the Auld Dubliner (right across the street! Auughh!), I would have only had about half an hour on the convention floor that morning.

*Not counting plays at the Terrace Theater. Though the last thing I saw there was a touring production of Miss Saigon in 2003, about two days before the start of the Iraq War. Talk about timing.

Main Hall

I think the main floor was about the same size as the floor at Wizard World Los Angeles the last couple of years — or rather, the amount of floor space they used was about the same. (Last year WWLA had a large empty space in the back.) Exhibitors were clustered around the entrance, mostly indie press (I remember Boom, Archaia, and Aspen) and a large Nintendo exhibit. The center of the room was dominated by the Artist’s Alley, with dealers wrapped around it and celebrities lining one wall.

In the back, inexplicably, was a raised wrestling ring. I didn’t notice it when I went through in the morning, but in the afternoon, when they were actually holding wrestling matches, it was loud! Halfway down the hall, you could hear the *smack!* *thud!* as the wrestlers threw each other to the floor. I figure the floor of the ring and the convention center floor must have made a fantastic sounding board!

I got in about 20 minutes after the con opened for the day, so if there were any huge lines I missed them. The artists’ tables were practically empty (they came in later), and most of the action seemed to be at the publishers’ booths and dealers. There was a big line for Jim Lee, and people were lining up for Stan Lee and Berkeley Breathed signings at 11:00.

Unlike San Diego, though, I could walk around without relying on Level 18 Crowd Weaving! Continue reading →