The city of Los Angeles recently finished replacing all of its streetlights with high-efficiency LED lights. They use less power, last longer, and require less maintenance than even the sodium vapor lights — an all-around win. They also cast a slightly bluish light, eliminating the amber look of sodium. But my first thought was that with all that work, they could have taken the opportunity to combat light pollution. The night sky doesn’t seem any darker than it did when we moved up to this area.

Then I took a good look at these LED street lights near work. The new fixtures actually do aim all the light downward, shielding upward leakage. They’re plenty bright from the ground, but from a few stories up, I couldn’t tell which lights were on without looking below them to see whether there was a pool of light on the ground.

So if the streetlights really are leaking less light into the sky, why is it still so hard to see stars to the north? Seriously, I can see Orion clearly most nights, but the Big Dipper is practically impossible to pick out.

  • It was a city project, not a county one. There are plenty of other cities in the area that either haven’t been converting their lights, or have only converted a few.
  • They didn’t actually convert all the streetlights in town, just the standard, boring ones (141,089 of them). Phase 2 is converting decorative street lights.
  • There are lots of other lamps that leak light upward: Parking lots, building lights, private roads. LAX is to the north, and there’s a reason for the phrase “lit up light a landing strip.” There’s also a park nearby with a baseball field; those lights drown out quite a bit when they’re on.
  • The ongoing drought has caused smog levels to climb, making the skies hazier.

Rain lit up by a car headlight.Speaking of the drought, I found myself wondering: How much water would we save if the city did a similar project to replace all the grass along street medians, parking lot boundaries, etc. with drought tolerant native plants? A home lawn at least has a potential use as a gathering place, or a play area. But a little strip of lawn six feet across? What’s the point?

And what do they do with medians out in the high desert, anyway? I remember driving out to Joshua Tree once and noticing in one of the towns along the way that all the houses were built on a standard suburban lot plan with space for a lawn, but that they used it for rock gardens, or native plants, or just left it empty. But I can’t remember what they put along the sides and middles of city streets.

And that gets me to the other article: It was a summary of a study on the vulnerability to climate change in various parts of the region. Most of LA will handle a rise in sea level fine, except for the beaches, Marina del Rey, and San Pedro…but depending on how the climate changes, most of LA would be vulnerable to severe flooding.

In any given decade in California, you can expect at least one drought and at least one winter of heavy rains and flooding. And sometimes those floods can be spectacular. A flash flood in 1825 changed the course of the Los Angeles River (it used to flow into what’s now Marina del Rey). And then there’s the Great Flood of 1862, which covered huge swathes of California and Oregon with water, including all the lowlands of what are now Los Angeles and and Orange County.

So in addition to planning for drought, the region also plans for the occasional flood — unfortunately, by trying to channel all that water out of the way as quickly as possible, because, as the study pointed out, more than 80% of the ground in the area is covered with impermeable surfaces — you know, asphalt, concrete, buildings, etc.

They do have spreading ponds to replenish groundwater from at least part of the storm drain system, but a lot of that water just goes straight into the ocean, and in heavy rains, the ponds get overwhelmed anyway.

It just seems like there ought to be a better way to capture the rain we do get.

My first hint that something was wrong this morning was the extremely yellow sunlight coming in around the blinds as I got ready for breakfast, the color you expect right at sunrise or sunset, not after the sun’s already up. Once I walked outside it was clear there was a fire somewhere in the area, and as I walked around the building I could see smoke filling half the sky.

It only filled half the sky, though. The smoke rose from the fire near Glendora, at the base of the San Gabriel Mountains northeast of Los Angeles, and drifted south to Orange County before winds blew it west across Long Beach, San Pedro, and the Palos Verdes peninsula.

Off to the west of the plume, the skies remained clear. Clearer than usual, in fact, because high winds had blown all the smog out to sea over the last few days. To the north and west, the sky was a gorgeous blue, the mountains and distant city skyline crystal clear. (If you view the larger image on Flickr, you can spot downtown LA right next to the first telephone pole on the left.) Smoke in the southeast turned the sun orange, bathing the area in light more suited to the golden hour.

A few miles north and a bit later, this view looking south shows the clear blue northwestern sky reflected in the building, the smoky southern sky behind it, and another building lit orange by the smoky sunlight.

Los Angeles skyline in shadow, foreground in light. Los Angeles skyline in light, foreground in shadow.

I went out for a brief walk Thursday afternoon (sometimes you just need fresh air). It had been raining, but had stopped, and the sun had broken through the clouds. Something made me go up to the top of the nearby parking structure where I could see downtown Los Angeles. It turned out to still be completely in shadow, as the gloom stretched inland. But it made for a great contrast with the sunlit hotel in the foreground.

The next day, another of intermittent rain and sun, I glanced out my office window shortly before sunset and took another short walk, this time straight to the parking structure for a better view of the mountains. The sun was sinking past open patches in the cloud layer, and I realized it was only a matter of time before it lit up the city in the distance.

Sure enough, a few minutes later, downtown Los Angeles was lit up by the sunset, and while I was at the wrong angle to see the towers turn completely orange as I did once on the train nearly three years ago, I was able to line up the same angle as the photo from the previous day…because this time the nearby hotel was the building in shadow.

I’ve found my lunchtime patterns fossilizing. Mostly, there aren’t a whole lot of places to eat within walking distance that aren’t hotel restaurants and therefore expensive, and parking is such a chore that it’s not worth driving anywhere. So I end up going to two fast food places and two cafes, over and over again.

The other day, I started to walk to Subway, and realized I just couldn’t bring myself to eat there again. So I did something I’d never done: I kept walking. As it turns out there wasn’t anyplace to eat past it, just two more hotels (neither of which advertised a restaurant) and an abandoned office building. From there I walked along Sepulveda until I reached In-N-Out.

Along the way, though, I spotted some interesting items, like this old warehouse:

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It's gloomy. The sky and sea are almost the same shade of gray. Looking along a steep cliffside toward a rock outcropping. It's high, maybe ten times as high as the low building perched on top of it, and grooves show dozens of layers stacked from the sea below to a bit below the top.

The Palos Verdes peninsula sits at the southwest corner of Los Angeles. Parts of it are built up in old, grid-style suburbs. Other parts are of the more modern, winding type. And still other parts remain open space, due in part to the unstable geology of the area. Parts of Portuguese Bend are sliding toward the ocean, requiring frequent repairs of the main road along the coast. Way back in 1929, a housing development began sliding into the ocean. Abandoned now, the area remaining above land is known as the sunken city.

Adjacent to those ruins is Point Fermin Park, an ordinary city park that sits atop the cliffs. The Point Fermin Lighthouse (previously featured here) looks over the sea, and a fenced walkway runs along the length of the cliffs.

Looking out here, you can see the layers of rock, and understand how parts of the point could just slide away. The warning signs on the fence don’t surprise me, but I have to wonder just who would want to climb out there.

Photo challenge (WordPress): Layers

I started writing this on an airplane about to take off. In the time between my outbound flight and return trip, United took advantage of new FCC rules to draft a new policy allowing passengers to continue using (if I can remember the phrasing) “lightweight personal electronic devices set in non-transmit mode.”

I did have to stop as a matter of practicality during the takeoff itself, and being in a window seat I spent a lot of the next few minutes staring out the window.

Something I found interesting on the way up is how similar open space and water look at night from far enough up when you’re near a city, especially if the city just stops…especially at a natural boundary like a range of hills. In both cases you have a brightly lit region next to completely dark area. It’s only when you can identify patterns like docks, or roads through the empty space, or occasional lighted areas (though they could be boats) that you can really tell.

If you’re low enough, you can sometimes see the reflections of lights in the water. That made for an interesting illusion on the flight in. I’m not sure which bridge it was across the San Francisco bay, but it’s lit by regularly spaced white lights underneath the roadway. For some reason it looked like the lights were moving along the bridge as I flew past it, like the pulses in  a Mac progress bar.

Something else that struck me: most areas along the California coast, seen at night, appear as darkness with islands of light. Greater Los Angeles is light with islands of darkness.

No wonder I can hardly see any stars these days.