After reading the “Who cares what Earth this takes place on!” intro to the Justice League: New Frontier tie-in comic, I started thinking about the whole Earth-1, Earth-616, etc. thing. The confusion over Earth-1 vs. New Earth in DC (something which overshadowed discussion of the actual story in the first issue of Tangent: Superman’s Reign) highlights the question: just how important is it to label these fictional universes, anyway?

And once you’ve decided to catalog them, how do you label them?

A few multiverses that come to mind are DC’s, Marvel’s, and Michael Moorcock’s.

The multiverse of Moorcock’s Eternal Champion cycle is extremely fluid, with details changing whenever he wants to tell a different story. Just looking at the Elric stories, there are three or four origins for Stormbringer, and as many for the Melnibonéans and their pact with Arioch. There are several versions of the 20th-century Count Ulrich Von Bek (depending on whether you include Count Zodiac). Worlds are less like parallel lines and more like streams that can run together, mingle, and separate again (kind of like the briefly-used Hypertime as used by DC).

DC and Marvel, on the other hand, favor a discrete structure in which each universe can be precisely identified. This may have something to do with the focus on continuity as a key element of comic-book storytelling, and would explain why, for instance, Marvel has made an effort to number what seems to be every single alternate reality they’ve ever published.

Approaches to numbering:

  • Sequential. DC started out like this, with Earth-1, Earth-2, Earth-3, etc.
  • Random. Current DC multiverse, except for the first few we saw at the end of 52 which were based on worlds from the original DC multiverse (Earth-2, Earth-3, Earth-5 from Earth-S, Earth-10 from Earth-X). Marvel’s main continuity, Earth-616, was reportedly picked at random (though there is some disagreement on this point).
  • Referential. Things like choosing Earth-S for the worlds of Shazam or Squadron Supreme, or Earth-C for Captain Carrot. Earth-97 for Tangent (which appeared in 1997) and Earth-96 for Kingdom Come (which appeared in 1996) would also fall into this category (but see the next point).
  • Systematic. Taking referential labels a step further, using a consistent scheme. Marvel derives most of its designations from publication dates.

Personally, I prefer to just name them. “The Tangent Universe” or “New Frontier” or “Supremeverse” gets the idea across more directly than, say, Earth-9.

I’ve had parts of this in draft form for at least 2 years. Last night, while brushing my teeth, I decided to pick it up with a new approach. This morning, I jotted down a couple of notes. And earlier this evening I saw Comics Should Be Good’s post, Where do you buy your comics?—and realized the time had come to actually finish the darn thing.

How I searched for back issues of comics in…

1988:

  1. Look at the local comic store.
  2. Wait for a convention that my parents were going to.

1998:

  1. Look at the local comic store.
  2. Drive around to other stores.
  3. Save up for San Diego Comic-Con.
  4. Look on this new site called eBay.

2008:

  1. Look at a couple of local comic stores.
  2. Look on eBay and Mile High Comics (singles)
  3. Look on eBay and Amazon (for trades & hardcovers)
  4. Look at a convention.
  5. Look for other sources on the net.

Two main things have changed: mobility (I couldn’t drive when I was 12) and the web. Continue reading

Ad: Faster than a man in tights.Speedster? Check.
“World’s fastest man?” Check.
Skin-tight costume? Check.
Wings on head? Check.
Lightning motif? Check.
Round insignia on chest? Check.
Yellow boots? Check.

I first saw this ad for movietickets.com with 3:10 To Yuma a few months ago. He’s trying to impress his date by running and buying the tickets for their movie while they’re still at dinner. The show’s sold out, but it turns out she’s already bought the tickets online. Noticed a poster outside afterward. Amazingly, they’ve got the video clip online. And they’re selling posters. *shudder*

I haven’t been quite sure what to do with it, since I’m not sure I’m ready to start in on listing every parody of the Flash to ever appear in media.

Hmm, now that I think about it the Blur in that Baby Ruth commercial back in the 90s was blue, too.

Arr! Barry Allen may not know how to celebrate Talk Like a Pirate Day, but he do celebrate Jog Like a Pirate Day!

Showcase #13: The Flash runs across the water from a torpedo with a pirate flag on front. 'No matter how fast I go---this pirate torpedo keeps following me!'

From Showcase #13, it’s “Around the World in 80 Minutes,” a tale of the Flash. (Mostly he runs around the world, helps people out, and gets kissed by women. Aye, it be good to be a superhero.)

(Cover via GCD. This story appears in Showcase Presents: The Flash vol.1 and The Flash Archives vol.1.)