Category: Conventions

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I wasn’t sure what to expect from Comikaze Expo, and I’d just been to Long Beach Comic-Con the weekend before, but I was curious about the new show, and for $12 a day, I figured I’d check it out. Getting a discount on that already-low price through Goldstar clinched it, and when I found out my friend Wayne was going, we decided to carpool.

Cobra cosplay including the Baroness and Serpentor at Comikaze Expo 2011.What we found was a surprisingly big show, with a wide variety of exhibitors, though I’d hesitate to call it a “Comic-Con.” More of a general geek pop culture show. There were certainly comic book artists and dealers (a few of whom I recognized from last week), but it reminded me a bit of the last Wizard con I went to (Anaheim 2010). There were actors & celebrities, artists, indie publishers, authors, dealers, T-shirt and nerdy craft sellers, costumers, fan groups for everything from G.I. Joe to Firefly, tattoo artists (that’s a new one), a giant card game area, a giant tabletop game area, and a video game demo trailer. All in all, it was somewhere between Wizard and San Diego without the big names.

The Crowd at Comikaze Expo 2011

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When I heard that Long Beach Comic Con was rebranding itself as Long Beach Comic and Horror Con this year, I was a little concerned. One of the things I liked most about it the first two years was the heavy emphasis on comics compared to San Diego (which has plenty of comics, but is so big that it’s easy to miss them) or the Wizard conventions (which seem to have refocused around celebrities). As it turns out, the horror didn’t drown out the comics at all. The front of the hall was still mainly comics publishers, with dealers (mostly comics and collectibles) behind them in a U shape, wrapped around the core: a gigantic Artist’s Alley.

Of course, Halloween and horror did make their presence known, starting with the signs for zombie parking, and continuing with programming, guests and costumes. (Jump straight to the photos.)

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Darth Joker cosplay at Comic-Con 2011This year, we approached Comic-Con International a bit differently than usual. For the last seven years we’ve been staying in town for all four days. With the baby, we decided to do Comic-Con 2011 in just one day. So we left him with relatives and took the train down to San Diego for the day. We arrived in town about 9:00, walked down to the convention center, and had our badges just after the floor opened at 9:30.

(Full photo set on Flickr, Flash-related coverage on Speed Force.)

Jack Skellington Puppet/Costume at Comic-Con 2011Planning a trip to Comic-Con is always about trade-offs. It’s so big that you can’t see everything, and there are so many events going on that you can’t attend them all. With four days, there’s some wiggle room. With just one, it seemed like I was constantly thinking about those choices.

One of the first choices I made: No news panels. I could get that the next day online (and did). I wanted to focus only on what was unique to the con: exhibits, meeting people, the art show, etc. Basically, I wanted to experience as much of San Diego Comic Con as I could in one day.

Katie decided to pick two things and build her day around them: visiting The Field, an Irish pub our friend Sean introduced us to a few years ago, and seeing the new Thundercats screening. Continue reading →

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Looking along a long, semi-open tube in a building, with the Comic-Con banner in the center.

Comic-Con International sold out this weekend. The convention isn’t until July, which makes the January sell-out surprising enough…but tickets didn’t even go on sale until this past Saturday, and were all gone by the end of the day!

In past years, tickets haven’t been a problem. This year, they’ve become as hard to get as convention-rate hotel rooms. And those? The con hasn’t even announced when they’re going on sale.

This is the view from one of the escalators in the San Diego Convention Center lobby. One of my friends once referred to it as the “Death Star Cannon” view, inspired by the shot of the inside of the cannon firing near the end of Star Wars.

Update: TicketLeap dissects the technical bottleneck [archived] that caused the weekend’s sales meltdown. (TLDR version: Hostname lookups were turned on in the database, and it was blocking on DNS.)

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ZatannaOn the last weekend of October, I made it out to the second annual Long Beach Comic Con. It’s shaping up to be a very artist–, writer– and dealer-focused convention.

A couple of years ago, Wizard World Los Angeles seemed to be all about people looking for deals on comics and collectibles (in which case, why not just go to Frank and Son or the Shrine?). When the show resurfaced in Anaheim this year, it seemed to be all about the celebrity autographs.

If you just want to see the photos, check out the photo set on Flickr. Otherwise, read on!

Layout

OBISHWNThe first thing everyone noticed was the row of themed cars out in front of the convention center: A Camaro painted up as Bumblebee, a replica of KITT from Knight Rider, cars from less geeky shows like Starsky and Hutch and (IIRC) Magnum, P.I.…and a car that had been modified to look like a Rebel Alliance small fighter, complete with an R2 unit!

The main floor at Long Beach was bigger this year than last, though nowhere near as big as Anaheim. Unlike Anaheim, they used most of their space.

All the publishers were clustered near the entrance, with Aspen and BOOM! the most prominent, followed by Top Cow, Image and Avatar in the next row with other small press, along with the celebrity autograph area off to one side.

Dr. Doom and Captain AmericaThe rest of the floor was structured with a huge Artist’s Alley at its core, surrounded by retailers on either side. Actually, it would be more accurate to say that it was two Artist’s Alley areas with dealers wrapped around them in a sort of F shape.

If you went to Anaheim Comic-Con this year, remember how big the celebrity signing area was, and how small the artists’ area was? Flip it. My gut instinct says that there were more artists with tables here than there were in San Diego, but then it could just be that they’re a bigger percentage of the smaller space.

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Comic-Con 2011 ticket sales crashed under heavy load shortly after going online.

I think we’re seeing another shift in the process of getting to Comic-Con.

It used to be that, as long as you were aware of the onsale dates and could both plan your trip and pay for your tickets far enough ahead of time, getting those tickets wasn’t a problem. Sure, the show might sell out months ahead of time, but it would take weeks or months to get to that point.

Now, people are looking at preview night already being sold out, and looking back at their last experience with hotel reservations, and freaking out: We can’t just buy our tickets this week – we have to buy them NOW, as soon as they go on sale, or we won’t be able to get in!

Get enough people reacting that way, and it becomes a self-fulfilling prophecy. Fear of a rush ends up creating a rush, just like fear of a run on a bank often triggers one. Add in the live progress bars as a feedback mechanism, and it snowballs even faster.

Until it crashes the server, anyway…

(Originally posted as a comment at The Beat.)

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I haven’t quite found the time to write up my experience at the Adobe MAX designer/developer conference, but here’s a digest of my Twitter posts. As usual, photos are on Flickr.

Sunday

Adobe Max Entryway (Los Angeles Convention Center)

  • Watched a nearly-full moon set into the cloud layer behind the LA skyline on my way to Adobe MAX.
  • Obligatory pic of Adobe MAX entryway.

Monday

  • Made it to the keynote just as, I kid you not, Martha Stewart took the stage.
  • Nice demo of dynamically wrapping text around image content (not box), to be contributed to Webkit.
  • Content aware fill demo on a tablet – “performing witchcraft” on the progress bar label.
  • Multi device link: iPad as classic color palette mixer for desktop Photoshop.
  • Blackberry Playbook approach: don’t dumb down the Internet for mobile devices, bring up the performance of the devices.
  • Green Hornet game demo: same app running on desktop & touch screen phone, auto-detecting input methods.
  • The Green Hornet car. I wasn’t expecting overlap between a tech conference and Comic-Con
  • Something else Adobe MAX has in common with Comic-Con: Flash fans.

Tuesday

  • When I got here, the line for Starbucks was about 5 people. Now I can’t see the end.
  • Managed to scarf down a sandwich from Starbucks before the evening session. Interesting mix of tech crowd & Lakers fans.
  • Ok, I am officially a geek. I ranked 7th in a phone-powered Star Trek trivia contest with several hundred people at a tech conference.
  • And then tweeted about it.
  • Adobe MAX sneak peeks’ method of keeping people from going too long: A Klingon with a phaser creeping across the stage.
  • Very cool demo of auto-converting long video to a tapestry for better scene selection.
  • Nifty Photoshop demo: post process photo based on a model. “what if this photo had been taken by Ansel Adams?”
  • Nice! Automatically compensating for camera motion blur!

Wednesday

  • Gotta love LA traffic. I left for Adobe MAX 40 minutes earlier than yesterday and arrived at the same time – too late for my 8:30 lab.
  • Funny how you can get nostalgic for your first version of Photoshop. (Sadly, 2.5 is missing.About Photoshop 3.0
  • MAX is definitely less crowded today. No problems finding a table for lunch, and the cell & wifi networks are a lot less congested.