Feedback, by Mira Grant

While reading Feedback, it occurred to me that Mira Grant’s Newsflesh series features the worst-case scenario of zombie design, and yet humanity survives with civilization mostly intact. That’s impressively optimistic.

I mean, look at the parameters of how zombies work in this setting:

Everyone who dies becomes a zombie, regardless of whether they’ve ever been near a zombie. This is fairly common, but there are settings where you can keep zombies out with a quarantine. Not this one.

Direct contact with a zombie is extremely contagious. Bites and scratches, sure, but imagine a zombie with late-stage Ebola. (A modified Marburg is one of the component viruses). Zombie drool landing on an open wound can convert you. The blood spatter from the zombie you’re shooting can get in your eye and convert you. The body of the zombie you just killed, lying on the ground motionless, is still a high-level biohazard that can convert you.

Anyone who goes out in the field must go through decontamination when they return. Showers include a standard bleach cycle and won’t let you out until it’s done. Outbreak sites have to be hosed down with bleach, burned, or simply condemned.

Any blood that’s been outside the body long enough will trigger conversion on exposure, even if the person isn’t a zombie. Even your own blood.

Sometimes people spontaneously convert. It’s not common, but it’s been known to happen.

The newly-infected can be as fast as a normal person before their body starts decaying. (Yep, fast zombies and slow zombies in the same ‘verse.)

Any large mammal can become a zombie. Dogs. Raccoons. Horses. Bears. Cows. Red meat is now a biohazard.

Mobs of zombies can plan ambushes. Enough zombies together exhibit just enough rudimentary intelligence to set a trap. Even across species.

There’s a really scary twist in the virus’ transmissibility late in the second novel that I won’t spoil.

The only factor that isn’t maxed-out is their indestructibility. A zombie in the middle of the desert or at the bottom of the ocean will eventually starve.

Eventually.

And yet humanity survives the Rising and is able to rebuild civilization in many — not all, but many — parts of the world.

That’s…well, that’s kind of inspiring.

I stopped frequenting Barnes & Noble a while back because they were so determined to sell you a Nook and get you out of the store, never to return. (That, and for a while we had a great indie bookstore nearby.)

Now they’re selling vinyl records.

And holding events.

They’re doing Throwback Thursdays and a Fangirl Friday.

I don’t know if it’s a desperate attempt at relevance or a brilliant return to form.

I certainly know it’s not corporate-wide, though — or at least not evenly distributed — because a week later I went to another Barnes and Noble, one near a full-blown mall, and walked straight into the giant NOOK pavilion.

No sign of any events aside from a mention of filming during the Harper Lee book launch. Vinyl was being plugged in the music section in the back, but not right up front.

On the other hand, no one was staffing the NOOK pavilion, and half the tables were empty. So maybe it’s still being phased out?

Do Not Taunt the OctopusMira Grant has been writing yearly novellas set in the world of her Newsflesh trilogy. A generation after the zombie apocalypse, humanity has survived, adapted, and rebuilt civilization. While the trilogy focuses an a core group of characters, journalism, social media and American politics, the novellas have opened up more of the world.

“Countdown” reveals the early stages of the Rising, including a look at what two messed-up background characters were like before everything went to hell. “The Last Stand of the California Browncoats” looks at what would happen if an actual zombie plague wiped out Comic-Con. “How Green This Land, How Blue This Sea” jumps across the world to Australia, where the people take a very different approach toward managing the zombie virus. “The Day the Dead Came to Show and Tell” explores the implications of life with zombies on the school system, and it’s really freaking disturbing. The newest one refers back to it (not in any detail — it goes out of its way to not describe what actually happened), and it hit me again. That story sticks with you.

“Please Do Not Taunt the Octopus” is the latest, and picks up the tale of Dr. Abbey, who runs an underground virology research lab where they’re trying to cure the zombie virus without the politics constraining mainstream organizations like the CDC (which has its own issues), as they deal with industrial espionage, hackers, and some…surprise visitors. She grudgingly accepts the label of “mad scientist,” though she insists that while she is angry, she’s not crazy.

It’s a surprisingly upbeat story considering the setting, as is “How Green This Land…”

One interesting observation: It’s now 2015. In the Newsflesh world, the Rising took place in 2014. We’ve now branched into alternate universe territory, but there are references to historic events and pop culture that happened after the first novel came out in 2010.

Another observation: I followed this up by finally reading Unlocked, a novella detailing the background of John Scalzi’s novel Lock-In. It’s an interesting parallel, in that both Newsflesh and Lock-In pick up a generation after a devastating virus has swept the globe, killing and transforming people — in one case taking over the bodies as the mind dies, in the other leaving the mind intact but cut off from the body — and the technological, social and political changes made to deal with the new normal.

I’ve seen several articles lately that offer tips for those whose New Year’s resolutions include reading more books. A common thread: suggestions for what to read, or who to follow to get ideas what to read.

That’s not the problem I have.

I have stacks of books I want to read. The problem is time, not inclination. The problem, I’ve started to realize, is that I want to set aside large blocks of time to read properly, but I don’t have large blocks of time that don’t have something else that needs to be done. That, and overcoming inertia when I’m already distracted by the internet, where all the articles and streams are more suited for short blocks of time (but include a hook at the end to keep you going).

What I need to do is just grab a few pages here and there when I can. It may not be as satisfying as sitting down with a book for an hour or two, but at least I’ll get through it.

That was essentially my reaction to walking into the Huntington Beach Central Library a few weeks ago (though it looks really nice), and I was reminded of it when I stumbled on this line in Lev Grossman’s The Magician’s Land. (No context for you.) Now I know why Katie laughed when I showed her the picture the day after she finished the book.

Wheel of Time books on a bookstore's shelf

A few years back, Mysterious Galaxy, a San Diego bookstore specializing in mystery and science fiction, opened a second location in Redondo Beach. They recently decided to close the newer location and focus on the San Diego store and community events (they’re heavily involved in the local book and comics convention circuits), and held a giant sale to clear out inventory.

I have to admit I’m not terribly surprised. As much as I loved the place, the store was never particularly busy when I dropped in. Although to be honest, we’re part of the problem, since we only managed to visit a few times a year. Neither of us has nearly as much time to read as we used to, and we’re splitting our book purchases between print and digital along somewhat arbitrary lines these days. (I did make a point of using their affiliate account at Kobo, though.)

We went to the sale over the weekend, and found it amusing that of all the Wheel of Time novels remaining on the shelf, the only ones left aside from the final installment were The Path of Daggers, Winter’s Heart, and Crossroads of Twilight — a trio of books widely known for killing fans’ interest in the series. (Crossroads, in particular, is referred to jokingly as “Characters Show Up.”) Fortunately it picked up again with New Spring, a flashback novel focusing on a character who had vanished halfway through the series, set years before the first book. The next book in the main series, Knife of Dreams, turned out to be really good, making me wonder if Robert Jordan’s side trip to the past had re-energized and re-inspired him. The fact that the story picked up again so strongly before his death — before he was even diagnosed, IIRC — gave me a lot more confidence in the concluding trilogy finished by Brandon Sanderson. If that next book had been like Crossroads, I probably would have dropped the series right there.

Red Planet BluesSorry I don’t have a new article on Reading Les Misérables this week. I took a break to read Robert J. Sawyer’s latest novel, Red Planet Blues. It’s a detective noir story set on a future Martian colony where people have perfected the art of transferring human minds into robot bodies. It’s expensive, but it also makes modern fingerprint, DNA and other biometric forensics useless, forcing investigators to fall back on good old-fashioned sleuthing. The colony itself is essentially a gold rush town, only instead of gold, people have gone to Mars seeking fossils of long-extinct Martian life.

Sawyer read an excerpt from the novel during his author spotlight at Chicon 7 last summer. It sounded like great fun, and it lives up to its promise.

Unless I get totally swamped, I should be back to Victor Hugo next week…well…probably. There’s a new Julie Czerneda book out, and I’m really tempted to read that now that I know it’s out. I don’t want to lose too much momentum on Les Mis, though.