Twitter Blue is what happens when you start treating a tool as a status symbol, so you throw the tools away and start selling gold-plated hammers made out of thin plastic.

As anticipated, they’re getting rid of “legacy” verification in favor of charging people $8/month for the privilege of having a blue checkmark next to their name.

Not that verification was perfect before, but most of the complaints I heard prior to the enmuskification were “wait, that person got verified but this person didn’t?”…essentially treating it as a status symbol, indicating who’s worthy of being verified, rather than one tool in the toolbox to indicate that the account really does belong to who it says it does.

The FCC wants to eliminate net neutrality, the principle that ISPs should treat all traffic the same, and not block, throttle, or promote data based on what service you’re using or who you’re connecting to. But we can stop them.

What’s Net Neutrality? Simple: your cable company shouldn’t decide where you get your news, what businesses you buy from, which video chat services and streaming services you use, or who you talk to.

Why do we need it? It used to be an unofficial rule, underlying the way the Internet was built over the years, until ISPs started to break it. For example:

  • Multiple ISPs intercepted search queries and sent them to their own portals.
  • AT&T blocked Skype on the iPhone.
  • Verizon blocked tethering apps.
  • Multiple carriers blocked Google Wallet in favor of their own payment services.

In 2015, after a public advocacy campaign, the FCC made it official: ISPs in the United States are now required to treat all traffic equally.

So what’s the problem? There’s a new chairman in charge, and he wants to remove the rule.

No doubt cable and phone companies will go back to their old tricks. Plus they could slow down access to news sites that disagree with them, or charge websites extra for the privilege of reaching their audience (when they already pay for their upload connection), or slow down services owned by competitors (consider: Verizon owns Tumblr and Flickr now, and Comcast owns NBC) in favor of their own.

That’s right: free speech, fair competition, and the price you pay for your internet service are all protected by net neutrality.

Rolling back net neutrality doesn’t help you, doesn’t help business, doesn’t help anyone but the existing carriers.

That’s why I’m joining the Battle for the Net — and you can, too. The FCC’s public comment period is still open. Contact the FCC and Congress (here’s a form), and tell them why Net Neutrality matters to you. Then spread the word.

Keeping the internet open is critical. Let’s work to keep it!

Publisher’s Weekly reports that WonderCon still wants to return to the Bay Area, but that the limiting factor is scheduling.

  1. A convention needs additional days at the convention center to set up and tear down the event. So for a 3-day weekend event, they need to be in Wednesday or Thursday through Monday.
  2. They’ve been trying to avoid conflicting with other big comic conventions, specifically C2E2 in Chicago and Emerald City in Seattle. I remember one year they were the same weekend as MegaCon, but it was all the way on the East coast, so the two events were drawing from a different pool of guests and attendees.

With Moscone basically the only convention center in the area that’s big enough, their options are limited.

WonderCon’s last year (so far) in San Francisco was 2011. C2E2 launched in 2010, and grew to 41,000 attendees in 2012 and 50,000. Emerald City has been around for a decade, but expanded dramatically over the last few years, jumping from 13,000 attendees in 2009 to 32,000 in 2011. This year, all three cons* were in the 53-56K range.

The other shows’ explosion in size coincides with WonderCon’s move out of San Francisco. Both shows were already growing before WonderCon moved to Anaheim, so while I’m sure some former regulars decided to go to Emerald City instead, I doubt it accounts for the bulk of the growth. It makes me wonder (no pun intended) whether WonderCon might be facing similar scheduling conflicts even if it had stayed in San Francisco back in 2012.

If they do have to go up against another high-profile convention, it’s going to be one of those damned-if-you-do, damned-if-you-don’t situations. My feeling is they’d be better off scheduling for the same weekend as C2E2, since Chicago’s three times the distance and two time zones away. Sure, it could be seen as a proxy battle between the NYCC and SDCC juggernauts, but it would play better than looking like they’re stepping on the little guy.

*I couldn’t find figures for ECCC 2013, but Wikipedia cites 53K in 2012, and they’ve been growing every year. C2E2 2013 was 53K, and WonderCon’s site cites 56K for 2013.

WonderCon has officially announced that they’re returning to Anaheim in 2014 for a third year, from April 18-20. It’s turned out to be a good venue for the convention, especially if they can work the remaining kinks out of parking next year, and it means it’s easy for us to attend, since it’s close enough for us to commute. (That really takes some of the pressure off of trying to get tickets for San Diego, too.)

Still, I hope they find a way to move back to the Bay Area soon. I attended three years at the Moscone Center when it meant traveling (it probably helps that we have family and friends in the area to visit on the way up and back), and while the show still feels very much like part of the same family, it does feel like a slightly different show. I was in San Francisco on a business trip last week, and when I realized I was in the neighborhood, I just had to stop by Yerba Buena park and the Moscone Center for old time’s sake. Continue reading

DC Comics has launched a digital comics program, starting with the iPad/iPhone and the Playstation network.

And by launched, I mean launched. As in, you can download the app and buy comics right now.

I’m really looking forward to the day when they expand this to more platforms (desktop PCs, Android and Windows–based tablets, etc) and start reaching into their back catalog. I’ve griped about the lack of Golden Age Flash reprints before, and the Bronze Age is also virtually invisible in reprints (though at least with comics from the 1970s and 1980s, you can usually find the back-issues at a reasonable price).

I haven’t had time to read all the interviews, but I’ll definitely be reading them tonight:

Jim Lee at Microphone at DC Editorial.With Jim Lee so heavily involved in this project, I can’t help but think of a moment at WonderCon this year. Saturday was the day of the iPad launch, and the Apple Store in San Francisco is just a few blocks from the convention center. Jim Lee was conspicuously missing from the DC Editorial panel. He showed up partway through the panel and stood in the Q&A line, where he planted a few questions…and then pulled out the brand-new iPad that he had stood in line for that morning!

Sadly, judging by ComiXology’s new releases, DC hasn’t brought Flash to the iPad just yet. But I’m sure it’s only a matter of time.

Update: Comics Alliance has another article I won’t have time to read just yet, on why this is a big deal.

Cross-posted at Speed Force