Tag: Flash

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Bart Allen as the FlashI’ve just launched SpeedForce.org, a companion blog to the website, Flash: Those Who Ride the Lightning.

Since I started adding news items to the front page of Ride the Lightning, it’s started to get a bit crowded. I thought about converting it to a Delicious feed, but then I realized it really ought to be a blog. There hasn’t been a major Flash-focused blog out there since Crimson Lightning shut down, so I figured I’d step in and fill the gap. And I could use the domain I picked up last year!

I’ll be posting Flash-related news there, including a weekly round-up of Flash comics, as well as articles that might not fit into the existing site structure, and (eventually) reviews as well. Some stuff that I would have posted here will end up on the new site. Certainly Flash news, but I may start shifting more comics-related commentary over there as well.

I’ll be refining the look and features over the next couple of weeks, and cross-linking it more into Ride the Lightning. I might keep the current theme with a few tweaks, or I might try to match Ride the Lightning, or I might build something else entirely.

So please, check it out and let me know what you think! I’m open to suggestions as to content, design, etc. And of course bug reports.

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Cover: The Flash CompanionA couple of bits of news on TwoMorrows’ upcoming book, The Flash Companion by Keith Dallas. This is the book for which I wrote several articles last fall.

First, the book has been scheduled for July 23, which brings it out just in time for San Diego Comic-Con.

Second, I noticed this week that Amazon is offering 26% off on pre-orders, bringing it to $19.81.

I’ll let the official summary speak for itself (with a bit of reformatting):

The Flash Companion details the publication histories of the four heroes who have individually earned the right to be declared DC Comics’ “Fastest Man Alive”: Jay Garrick, Barry Allen, Wally West, and Bart Allen.

With articles about legendary creators Shelly Mayer, Gardner Fox, E.E. Hibbard, Julius Schwartz, Robert Kanigher, John Broome, Ross Andru, Irv Novick and all new interviews of Harry Lampert, Carmine Infantino, Cary Bates, Alex Saviuk, Mike W. Barr, Marv Wolfman, Mike Baron, Jackson Guice, Mark Waid, Scott Kolins, among others, The Flash Companion recounts the scarlet speedster’s evolution from the Golden Age to the 21st century.

Also featured are “lost covers,” never before published commission pieces by Flash artists throughout the decades, a Rogues Gallery detailing The Flash’s most famous foes (including 3 profiles by the author of this website) a tribute to late artist Mike Wieringo by Mark Waid, a look at the speedster’s 1990s TV show, and “Flash facts” detailing pivotal moments in Flash history. Written by Keith Dallas, with a cover by Don Kramer (Detective Comics, JSA) with colors by Moose Baumann (Green Lantern).

I’ve contributed three articles to the Rogues Gallery section, and a convention photo. I’ve had a chance to read some of the other articles and interviews, and this is going to be a great read for Flash fans!

Edit: One more item: This is small press, and I’m not the main author on the book, so I’m not getting paid for the articles I contributed. But I do have an Amazon Affiliate account, so if you order through this link, I’ll actually get paid a little in a roundabout way.

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Central City is big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to Central City. (With apologies to Douglas Adams.)

It’s an old post, but I just found the Absorbascon’s take on Central City, looking at the wide expanses depicted in Carmine Infantino’s Silver-Age drawings of the Flash’s hometown.

What is this vast complex? The National Science Center? NIH? STARLabs HQ? No. It’s Barry Allen’s back room. In his APARTMENT. In your house, this sort of room is barely big enough to hold the Cybex machine you don’t use. In a Central City apartment, it’s about the size of a bowling alley.

On a related, but more serious note, letterer Todd Klein has posted a 4-part study of the Flash Logo from 1940 through the present day: Part 1 · Part 2 · Part 3 · Part 4. With his insider knowledge, it’s far more thorough than the study I did a few years ago. (via Wallyoeste)

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[Picture of the Flash (Barry Allen) from Showcase #4]Yesterday’s article about the Flash (warning: major spoilers for this week’s DC Universe: Zero) in the New York Daily News brings up the hero’s key role in launching the Silver Age of Comics. Superheroes had fallen out of favor in the early 1950s, and comics were exploring genres like westerns, horror, romance, etc. When DC successfully relaunched the Flash in 1956, there was an explosion of new super-hero titles.

The Daily News quotes former Flash scribe Geoff Johns as saying, “Without Barry Allen, we’d still be reading comic books about cowboys.”

I don’t think that’s precisely true. Not to discount Barry’s contribution—it’s entirely possible, even likely, that super-heroes would have remained a background genre. But for one thing, we’re looking at half a century of ephemeral pop culture. For another thing, let’s consider: why were comics going after the western, crime and horror genres when super-heroes failed? Because that’s what was popular in movies and television at the time.

I’d guess that, without the Flash revitalizing super-heroes, we would have seen more science-fiction comics in the 1960s, more police comics in the 1970s, sitcom comics in the 1980s, and so on. Comics genres would probably have followed along with trends in pop culture instead of becoming heavily focused on a single genre.

We wouldn’t be reading cowboy comics today; we’d be reading reality comics.

Perhaps the presence of multiple genres would have eventually gotten rid of the “but, you know, comics are just for kids” mentality. (Not that it’s worked for cartoons or video games yet, but video games are still relatively new, and cartoons have similarly been dominated by the musical fairy tale and slapstick comedy short.)

Eh, who knows? Maybe they’d be all about pirates.

Edit: The comment thread at The Beat also has some interesting speculation on comics without the Silver Age Flash.

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Opera Software has just released a new beta version of the desktop web browser, Opera 9.50 beta 2. The splash page makes me think of something a bit different, though:

Opera 9.5 beta
Speed, security, and performance matter.

Now, we’ve made the fastest browser in the world even faster. Opera’s new beta is quicker to start, faster at loading Web pages and better at running your favorite Web applications.

Hmm, a red and yellow blur, zooming across the view? And an emphasis on speed? That reminds me a bit of this guy:

The Flash

Opera has long promoted itself on its speed, and it has used a super-hero theme in its advertising before. The vaguely Superman-like* “Opera Man” was used heavily in advertising Opera 8, despite being ridiculed by most of the browser’s user community.

So why not a subtle reference to the Flash?

*Blue costume + red cape. Hey, if a blue shirt and red jacket work for Clark on Smallville, you know the color scheme has become iconic.