I’m pleasantly surprised that Comic-Con International and/or Travel Planners has gotten their act together for next year’s convention. Before attendance (and hotel rush) went completely insane, they used to send out hotel info with their fall newsletter or in a postcard around December (or maybe January), but over the last two years it’s been pushed later and later. For 2009, they didn’t even announce a date for hotel reservations until February…a month before they opened. The list of hotels went up even later — the day before, IIRC.

The fall newsletter, now an online magazine, went up today, and along with it not just the date for reservations, but a list of hotels…including distance, prices, and shuttle stops. Hotel reservations go online March 18, 2010.

Additionally, they’ve made some interesting changes that may help combat the craziness:

  • Reservations will now require an immediate deposit of one night’s stay
  • Deposits are fully refundable until May 14.
  • From May 15 to June 17, there’s a $75 cancellation fee.
  • From June 18 onward, deposits are nonrefundable.

With luck that’ll cut down on some of the “just in case…” extra reservations, now that there’s an actual financial commitment to it.

I’m floored.

Absolutely floored that 4-day passes for Comic-Con International 2010 have sold out.

I mean, it’s the first week of November, and the convention isn’t until next July!

Tickets with access to Wednesday’s Preview Night sold out a few weeks ago, but at the time, CCI didn’t provide any information about how many regular 4-day passes were left. This Monday, they posted a progress gauge at 70%. The last time I looked yesterday, it was up to 89%.

Today? Sold out completely.

I can’t help but think it would have taken longer if they hadn’t provided a gauge to let people know just how scarce a resource memberships were going to be. There’s nothing like the fear of a shortage to get people to run out and buy up what’s available (and create a shortage). But I also can’t complain, because without that feedback, we might have kept putting off plunking down the $200 for the two of us, and we might have missed our chance.

Single-day tickets haven’t gone on sale yet, so it’s still possible to go if you haven’t already bought your tickets. You can of course buy more than one, it just means standing in line each morning to pick up the next badge. (Even the more relaxed WonderCon, run by the same organization, doesn’t let you pick up a Sunday badge on Saturday, as we discovered last year.)

If you’re planning on going to San Diego next year, keep an eye on the website. Four-day passes went insanely quickly, and I would expect the one-day passes to do the same.

Update 2019: Seeing how surprised I was is almost nostalgic, now that the entire con sells out within minutes every year. This was the tipping point.

Here’s a quick index to all of our posts about last month’s Comic-Con International in San Diego: here, at Speed Force, and on Flickr.

Around the Con

We saved most of our long-form writing for panel and costume write-ups (see below), but I made extensive use of Twitter during the convention. These are auto-generated digests of each day’s Twitter activity, presenting a view of the convention as I experienced it.

The Paper and the Flash

In Costume

Katie as Yomiko Readman (The Paper) and Kelson as Jay Garrick (The Golden Age Flash). Katie cosplaying as Kate from Lost.

On Friday we attended in costume as Yomiko Readman from Read or Die and Jay Garrick, the original Flash from the Golden Age (1940s). On Saturday Katie attended as Kate Austen from Lost.

Panels

Reflections

That covers all the major posts we’ve written from the start of the convention onward. There are a few minor bits, like the “We’re here!” post from when we arrived in San Diego, and various posts about the build-up to the con. You can find these by looking further back in the Comic-Con 2009 category here and in posts tagged CCI SDCC 2009 at Speed Force.

Friday night at Comic-Con. After walking around all day in costumes, we returned to our hotel, got cleaned up, had dinner at the hotel restaurant and got in line for the shuttle back to the convention center to catch “The Worst Cartoons Ever” at 9:00.

Except only one of us made it onto the bus.

Missing the Bus

We’d thought about going back to the restaurant for dessert later (they had Bailey’s cheesecake), so I did something stupid and went back to check the hours. (If they were going to be closed, we’d go somewhere in the Gaslamp area like Ghirardelli.) This took longer than expected, and the shuttle arrived in the meantime.

The shuttles only run every 20-30 minutes at night, and we had barely 30 minutes to the screening. Chances were if I didn’t catch this one, I wasn’t going to make it.

I fought my way upstream through the crowd that had just gotten off the bus, saw that Katie wasn’t at the stop, and ran halfway down the block as the shuttle pulled away…and immediately stopped at a red light.

I ran to the front of the bus and knocked on the door. The driver gestured toward the back of the bus. I looked back to see if there was another door. Nothing. I knocked again. He glared at me and pointed toward the back of the bus again. It became clear he was not opening that door for anything.

Words Exchanged

So I pulled out my cell phone and called Katie, who was in the process of calling me to ask where the hell I was. Whichever call connected, I started out with something like “The &@^#*& driver wouldn’t let me on the bus!” We each fumed a bit, the light turned green, and the bus pulled away.

I wasted a precious minute trying to decide whether it was worth trying to catch a trolley or something. I figured their schedule was about as bad. Driving didn’t even cross my mind — it probably would have taken me long enough to park that it wouldn’t have helped anyway. If I’d really been thinking I would have walked around to the front of the hotel and hailed a taxi.

Maybe it was that I’d spent the day dressed as the Flash. I decided to run.

Continue reading

Seriously, doesn’t this chair look like it was made of the material they were trying to find a use for in the first episode of Better Off Ted…and turned into a chair so irritating that it increased worker productivity because people couldn’t get comfortable? (You can see it in the middle of this 10-minute preview.)

office-chair

It was the chair in our hotel room (the converted bank office with the impressive lobby). Fortunately it wasn’t nearly as scratchy as Viridian Dynamics’ “Focus Master.” (Incidentally: more Better off Ted episodes are starting up in a couple of weeks for the summer!)

Some graffiti on plywood in the Gaslamp District area:

And then there was this “You Are Under Surveillance” sign. Something about the combination of the sign, the stairway, and all the posters on the walls just looked interesting.

We’ve been following singer/songwriter Butterfly Boucher since 2004 — in fact, since the first day we tuned in to the now-defunct Indie 103.1 and heard “Another White Dash” for the first time. We caught her opening for Barenaked Ladies a few months later and picked up her album, then caught her again opening for Sarah McLachlan later that year. Her second album, “Scary Fragile”, finally came out on Tuesday (it’s very good — Katie says it may be the best sophomore album she’s ever heard), and she’s doing a concert tour. She’s playing in Los Angeles most of this month, but timing worked out better for us to go see her in San Diego on Saturday. So we bought some tickets and made a weekend trip out of it.

Historic San Diego

Old Town San Diego Wagon.We drove down after lunch on Saturday and hit Old Town San Diego on the way in. (More Highlander Grog!) I could swear I don’t remember having trouble finding it before, but the last few times it’s been hard to get to even following a map. At least we managed better than we did in December, when we ended up several miles inland before we could find a place to cross the inlet.

I don’t remember much going on the last time we were there, but this time Old Town was in full-on living history mode, complete with tour guides dressed up in 1800s outfits and a horse-and-buggy ride.

Fancy lobby. Once it was a bank, now it's a hotel.I’d booked the Courtyard San Diego Downtown because it’s literally next door to the House of Blues. It took a while to negotiate the one-way streets, but once we arrived, we stepped inside and were blown away by the lobby. It turns out that the hotel used to be the building for the San Diego Trust & Savings bank. After the bank closed in the 1990s, Marriott bought it and converted it to a hotel. The vault, safe deposit rooms, and other rooms on the first floor became a conference center, and the offices on the upper floors became guest rooms. They’ve preserved as much of the old look of the place as possible, down to keeping the mail slots on the former office doors. (Don’t worry, they’re blocked.)

Clouds and TowersWe ate dinner at Chopahn (6th Ave. near F St.), an Afghan restaurant we first visited during last year’s Comic-Con. It was empty when we got there, which I hope was just because we were there on the early side, because the food is great. Another couple arrived while we were eating, but they were the only people we saw other than the waitress. She had started pushing tables together as if they were expecting a larger party later on.

After dinner we wandered the Gaslamp district for a while. I kept making notes of where various hotels or restaurants were located. Eventually I realized I was basically scouting for Comic-Con next month.

Around 7:00 we made our way to the House of Blues.

Concert

That’s when we discovered that we’d been under a misapprehension about the nature of the venue. Continue reading