Let’s just say the kid was not impressed with Attack of the Clones.

To be honest, I think it’s the weakest of the prequels and of the six that George Lucas was actually involved in.

The Phantom Menace is better than I remember.

It’s well constructed, and there are incredible subtleties and thematic elements hidden among the flashy (and cheesy) A-plot. It’s about dualities, symbiosis, and most of all, misdirection. An elaborately costumed decoy queen, an invasion waged to maneuver the Senate into giving Palpatine more power, and so on. And the movie is that too: a big flashy effects and battle and comedy extravaganza in front of a master manipulator quietly going about his scheming.

I mean, yeah, the dialogue isn’t very good, and there are all the horrible stereotypes, but the core of the story is thematically solid.

Attack of the Clones…is not.

I could see what they were trying to do, but it doesn’t hold together as well, and the story hinges on a romance that is, frankly, unconvincing. It’s like an early draft of a script went into full-blown production, but no one could tell Lucas, hey, maybe you should try something different here, or keep working on the dialog there, etc.

The effects are amazing. The music — John Williams is still at the top of his game here, and “Across the Stars” is one of the best Star Wars pieces written (up there with “Duel of the Fates” IMHO). There are cool concepts and interesting characters, and good actors doing the best they can with what they have. (When they can.)

And there are great moments too! Dooku telling Obi-Wan the absolute truth about the Republic having fallen under the sway of a Sith Lord, just in a way that Obi-Wan can’t believe it. Or Padme quietly picking the lock on her handcuffs in the background while Anakin and Obi-Wan argue in the foreground.

Mainly I think it needed more script revisions. And to let someone else direct it.

Previously posted on Mastodon. Cross-posted as reviews of TPM and AotC.

Today, a group of comics bloggers have gotten together to recommend lesser-known gems of the comics world. Comics are more than Brightest Day and Heroic Age, and you just might want to…read this too!

The Unwritten, by Mike Carey and Peter Gross. Recommended for mature readers. Published by Vertigo Comics.

The Unwritten is a story about stories, and the impact fiction has on reality. It’s told as an adventure, filtered through today’s media-crazed society, modern fantasy (especially the Harry Potter phenomenon), occasional moments of horror, and centuries of popular literature.

It was also my favorite new comic book of 2009.

The Plot

Years ago, author Wilson Taylor vanished after writing 13 immensely popular children’s fantasy novels, leaving his son Tom — the real-life inspiration for “Tommy Taylor” — to grow up as a Z-list celebrity. A question at a fan convention sets the adult Tom onto a path of adventure and danger that has him doubting even his own past, as the world begins to wonder: Did Tom Taylor inspire Tommy Taylor? Or is he Tommy Taylor made real?

By the time of the third major arc, Tom has been proclaimed a messiah, framed for murder, and declared dead. He’s acquired a power trio much like the heroes in his father’s novels (naturally, in the Harry/Hermione/Ron mold), with one ally who may be a fictional character brought to life, and one who plays the sleazy reporter but has his own connections. They’re on the run from a secret cabal, its hit man who can transform objects (and people) into their component ideas…and the surprisingly real vampire nemesis from the Tommy Taylor books, Count Ambrosio.

Stories

Although Tom is just now figuring out his role in events, the villains have been pulling strings for centuries. They’ve shaped the world through stories: by controlling how history was recorded, and by ensuring that stories were written that promoted their goals. One early issue flashed back from the present to Rudyard Kipling, who was quite happy to write stories for them promoting the British Empire…until they asked him to change his tune, and he lost everything.

Of course, since this is a fantasy series, stories can also impact reality directly. Magical objects cross into reality, people travel into stories, and in one case, a particularly tormented story actively threatens the heroes.

Every few issues, the focus moves away from Tom Taylor to reveal another piece of the puzzle. One focuses on two children caught up in Tommy Taylor fandom to the point where they aren’t quite sure where playing ends and believing begins. Another focuses on a servant of the cabal trapped inside a Winnie the Pooh–like setting by a writer who was prepared to stop him.

The Unwritten frequently mixes in excerpts from media commenting on the events of the story: television news, magazine articles, blogs, even Twitter conversations. In one issue, Tom is kidnapped by a deranged fan and threatened on a live webcam feed, while viewers debate whether it’s real or just a publicity stunt. In another, a TV news network focuses on the launch of the latest Tommy Taylor novel, while the ticker at the bottom of the screen runs through a series of dire headlines which would normally be the top stories of the day

The latest issue reveals the past of Tom’s ally and guide, Lizzie Hexam…in a choose-your-own-adventure format. She always ends up in the same place, but the path she takes varies…along with the most important parts of her back story. They’re all equally canonical, and you as the reader get to choose which version is “real.” In a sense, we do that with everything we read or watch. We have our favorite versions of stories, TV episodes and comic book issues that “don’t count,” and our own ideas of what’s going on off-screen or between panels.

The Unwritten is up to 17 issues so far, collected in two trade paperbacks with a third on the way. Carey and Gross have a complete story in mind, one that they hope to tell over 60 or 70 issues. Update 2015: The series is complete now, collected in 11 volumes of the main story and a related graphic novel, Tommy Taylor and the Ship that Sank Twice.

Interested in reading more? Good! I’ve written about a more traditional super-hero comic, Astro City, at Speed Force. And there are more bloggers out there. Check out the lesser-known titles reviewed in these other blogs and read these, too!

After a Friday spent relaxing at home (no after-Thanksgiving Day sales, unless you count skimming the recommendations at Amazon), we drove up to LA to see the play Equivocation at the Geffen Playhouse. The drive was astonishingly fast (everyone must have been either at home or at the mall!), so we had plenty of time to wander Westwood looking for someplace to eat.

We ended up at Yamato, a Japanese restaurant that I’d definitely eat at again! I did wonder about the original purpose of the building, since it clearly hadn’t been a restaurant to start with. One of us spotted a plaque outside identifying it as The Westwood Building, built in 1929. Among other things, it did include a bank, which was one of my guesses.

After dinner we went looking for places we could get dessert and/or coffee after the show. The two Coffee Beans were both going to close by 9:00, but the Starbucks was open until midnight, and Diddy Riese was open until 1:00. We stopped in at Rocky Mountain Chocolate factory to get some sugar-free chocolate for Katie, and then made our way over to the theater.

The Show

Bill Cain’s play is a political thriller in which William Shakespeare is commissioned to write a play about the Gunpowder Plot to assassinate King James I and blow up Parliament. (Remember the fifth of November?) The problem: the king wants him to write the official version of the plot, which has been somewhat…embellished. Shakespeare has to deal with political pressure from the Crown, conflicts among his actors, estrangement from his daughter Judith…and the question of truth: Can he find it? If so, can he afford to write it?

It’s a compelling story — terrorism and torture are topical, and political intrigue is always in fashion — and manages to give you enough information on the background that if you don’t know much about the Gunpowder Plot, or even about Shakespeare, you can still follow what’s going on.

Some familiarity with Shakespeare helps, though. The Globe is rehearsing King Lear at the beginning, and it quickly becomes clear that The True History of the Gunpowder Plot will eventually become Macbeth. References to Shakespeare’s legacy are scattered throughout the play. There’s also a great comedic moment at one point that is only funny if you know about the Porter scene in MacBeth, but it doesn’t interrupt the flow if you don’t know it.

(Some recognizable faces in this production: Harry Groener, the Mayor of Sunnydale from Buffy the Vampire Slayer, and Connor Trinneer, Trip from Star Trek: Enterprise. Coincidentally, Groener was also in the last play I saw, Putting it Together at South Coast Repertory.)

After the show we walked down to Diddy Riese, but the line was long enough it looked like it might take an hour just to get ice cream. By which time coffee wouldn’t be an option, unless they had some there. So we ducked over to Starbucks for a half hour or so, then drove home.

Wheel of Time: The Gathering StormThis weekend I finished reading the new Wheel of Time novel, The Gathering Storm. Now that I’ve read it, I can definitely say that Brandon Sanderson was a good choice to finish the series from Robert Jordan’s notes, and that splitting the final book into three was the right approach. It may be a doorstopper, but it would be difficult to cut more than a tiny amount without diminishing the impact of what remained.

Read more…

The Born QueenWe’ve both finished reading The Born Queen, the conclusion to Greg Keyes’ The Kingdoms of Thorn and Bone. Yesterday we spent the day reading in tandem on the couch: I read book 3, Katie read book 4, and finished within an hour of each other. Determined to catch up, I read 100 pages last night and spent this morning and afternoon reading the final book.

It was well worth the wait.

The series is set two millennia after humans, led by Virginia Dare (explaining where the lost Roanoke colonists went), overthrew the demonic race that had kept them as slaves for generations. Virginia had discovered how to harness the sedos power, essentially magic. The last of humanity’s oppressors warned them that the sedos would eventually destroy their world. Of course, no one believed him.

2200 years later, this corner of the world is not unlike Europe in the early Renaissance. Except that the church is based on the sedos, in the person of saints, and its priests walk the paths to harness the sedos powers.

The world is also beginning to rot. Things of nature are dying, human alliances are crumbling, and terrible creatures thought to be myth are walking the earth. There are several factions who claim that they want to save it, but their true goals are suspect, and their methods differ greatly. The various viewpoint characters are thrust into the middle of things without any real sense of what’s going on: a holter, a princess, a novice priest, a knight, a swordsman, a composer and a queen.

One of the things I find so fascinating about this series (as I mentioned when I first read The Blood Knight) is the fact that everyone is acting on partial information. This makes them screw up, sometimes mildly, sometimes horrifically. And there’s a curveball that comes about 1/3 of the way into The Born Queen that turns everything on its head.

I don’t think it’ll give too much away to say that one of the key struggles in this book is for control of the sedos. Even 100 pages from the end, I wasn’t sure which faction would give the world a better chance of surviving.

Music also figures importantly, starting with the second book, where it’s learned that certain combinations of sound can have a profound effect on the human psyche. I found myself wondering whether Keyes had someone set any of the songs to music.

By the end of The Born Queen, most of the major questions about what’s really going on have been answered. Of course, they’re answered in pieces, by different characters with different agendas. The major characters’ arcs reach (mostly) satisfying conclusions, with some finding what they want, some finding what they need, some doing what needs to be done, and some getting what they deserve.

It’s weird to finally be done with the series, which started around the same time as this blog. The first post that I made that wasn’t “Hey, look! I have a blog!” was a review of The Waterborn and The Blackgod, Greg Keyes’ first novel and its sequel. In it, I mentioned looking forward to The Briar King when it came out.